Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

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58 • NOTE VALUE = 1/16, SHUFFLE = 54% to 58%, Tempo = 100 BPM: This removes the "stiffness" from 1/16 notes and is especially useful on drum sequences using 1/16 note hihats. • NOTE VALUE = 1/8, SHUFFLE = <strong>60</strong>%, Tempo = 100BPM: This creates an 1/8 note shuffle which could be described as more relaxed than a perfect shuffle (66%). As with timing correction, shuffle moves your notes in real time as they are recorded into the sequence, so your notes are instantly played back with the specified shift. Also, as with timing correction, this effect can be used on existing sequence data by using SOFT KEY 1 - . 3.8.3 The SHIFT TIMING feature It is sometimes desirable to shift your notes earlier or later in time by a consistent value. For example, if a given track is to play through a synthesizer with a slow attack, the slow attack can be compensated for by shifting the notes in the track earlier by an amount equal to the length of the slow attack. The shift timing feature works in conjunction with the timing correct feature to move notes forward or backward in time. As with timing correction, "shift timing" moves your notes in real time as they are recorded into the sequence, so your notes are instantly played back with the specified amount and direction of shift. Also, as with timing correction, this effect can be used on existing sequence data by using the SOFT KEY. NOTE: It is important to note that the this function only operates in conjunction with the TIMING CORRECT function. This means that it is not possible for this function to shift the timing of notes without also correcting their timing. This also means that the range of shift depends on the current NOTE VALUE setting. For example, if the NOTE VALUE field is set to 1/16 notes, the maximum SHIFT AMOUNT is 11 clocks, or less than 1/2 of one 1/16 note; if the NOTE VALUE field is set to 1/32 notes, the maximum SHIFT AMOUNT is 5 clocks, or less than 1/2 of one 1/32 note; and if the NOTE VALUE field is set to OFF(1/384), the SHIFT AMOUNT is fixed at 0, meaning that no shift; is possible since timing correction is not being used. If you wish to shift the timing of a track independently of the timing correction function, then use the COPY/MERGE A TRACK function, described in section 4.3.6. NOTE 2: If the SHIFT TIMING function is set to shift notes early and one or more notes exist at the start of the sequence, these starting notes will be deleted when the operation is
Section 3: Recording sequences 59 performed, because there is no space before the start of the sequence for them to be moved to. To avoid this problem, insert a blank bar before bar 1 of the sequence before performing the shift operation, then be sure to include this extra bar within the range of bars to be shifted. This way, the notes which would have been lost will now be moved earlier onto this newly inserted bar. 3.8.4 The NOTE REPEAT feature Another very useful feature of the TIMING CORRECT key is the ability to automatically repeat either drum or keyboard notes at a preset note interval. This is useful in creating: • Drum rolls • Repeating note drum patterns, such as 1/16 note hihat patterns • Repeating keyboard notes, such as a repeated 1J16 note bass part The NOTE REPEAT feature is used in real time while recording. To use this feature, press and hold TIMING CORRECT while in OVERDUB or RECORD mode, and the top line of the PLAY/RECORD screen will change: If any drum pads (if the active track is a "drums" track) or keys (if the active track is a "non-drums" track) are held while TIMING CORRECT is being held, they will be automatically repeated at the TIMING CORRECT note value setting. Further, the velocity level of each repeating note is set by the current pressure setting of the drum pad or key being played (if your midi keyboard has CHANNEL PRESSURE capability). To demonstrate this effect: 1. Set up a sequence for recording a two bar repeating drum pattern (be sure to set the upper CH field to "16A"). 2. Press TIMING CORRECT and select "1/16 NOTE" in the NOTE VALUE field. 3. Press MAIN SCREEN to return to the PLAY/RECORD screen. 4. Enter OVERDUB mode by holding OVERDUB and pressing PLAY START. 5. While holding TIMING CORRECT, also hold the WHAT pad, varying the pressure as you hold it. You should hear repeating 1/16 note hihats.
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3 Software version 2.0 Operator's M
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5 • Avoid using spray type insect
Page 7 and 8: 7 3.14 The recording metronome 3.15
Page 9 and 10: Section 1: Introduction
Page 11: Section l: Introduction 11 1.2 How
Page 14 and 15: 14 2.1 Overview This section is a s
Page 16 and 17: 16 Turning the MPC60 on 1. Of the d
Page 18 and 19: 18 2.3 The CURSOR keys While the PL
Page 20 and 21: 20 selections, but only one may be
Page 22 and 23: 22 2.6 The HELP key Whenever this k
Page 24 and 25: 24 2. "16 TUNINGS": If this option
Page 26 and 27: 26 2.8 The DRUM MIX key - adjusting
Page 28 and 29: 28 This indicates that the MPC60 is
Page 30 and 31: 30 2.11 The MAIN SCREEN key- how to
Page 33 and 34: Section 3: Recording Sequences
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Page 37 and 38: Section 3: Recording sequences 37 T
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Page 67 and 68: Section 3: Recording sequences 67 s
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Page 84 and 85: 84 4.1 Overview This section of the
Page 86 and 87: 86 These two screens allow a specif
Page 88 and 89: 88 4.3 The EDIT key The EDIT key en
Page 90 and 91: 90 onto the end). If set to TO BAR
Page 92 and 93: 92 The on-screen fields are: • Th
Page 94 and 95: 94 track. In this function, only th
Page 96 and 97: 96 NOTE 3: If the copied data is lo
Page 98 and 99: 98 • SOFT KEY 1- : Pressing this
Page 100 and 101: 100 This is a choice field with 2 o
Page 102 and 103: 102 LOCATE keys. As this value chan
Page 104 and 105: 104 4.4.2 Using STEP EDIT Using STE
Page 106 and 107: 106 settings in the TUNE DRUMS scre
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108 current step will be played (ou
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110 4.5 The EDIT LOOP key This func
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112 4.6 The TRANSPOSE key This func
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Section 5: Song Mode
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Section 5: Song mode 117 5.2 The So
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Section 5: Song mode 119 5.3 An exa
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Section 5: Song mode 121 Converting
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124 6.1 Overview The MPC60 may hold
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126 6.2 Sampling a new sound This f
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128 • The METER field: This is a
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130 more than you need, because you
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132 always one higher than the last
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134 • The ALSO PLAYS field: This
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136 As the screen warns, pressing
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138 • The FADEOUT(MSECS) field: T
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140 2. MASTER: In addition to the s
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142 6.6 Assigning the 8 assignable
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144 • The MIDI OUTPUT field: This
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146 Sending a Midi sample dump to a
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148 6.8 Triggering a sound from an
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150 3. MASTER: There is a single se
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152 to 1; to control the decay from
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154 7.1 Overview The MPC60 has a bu
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156 7.2 Saving a sequence This func
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158 7.4 Saving a drum sound This fu
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160 If you press SOFT KEY 1, , the
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162 (Step edit options screen) •
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164 To save a parameter file: 1. As
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166 • If an ALL file is selected
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168 As the screen warns, loading th
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170 7.8 Formatting a disk This func
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172 7.10 "Attention" messages encou
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Section 8: Syncing to tape and othe
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198 9.1 Overview The MIDI key provi
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200 While one of these event types
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202 • The DEFAULT CHAN field: Eac
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204 9.3 External drum triggering, t
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206 NOTE: Because "NONE" is the def
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208 of this field. If only one ME-3
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210 9. 5 The Midi implementation ch
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212 01000111 Akai ID (47H) 0000xxxx
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214 10.1 Features Here is a list of
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216 Sampler section: • 32 drums m
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218 218 • Assignable mix outputs:
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SECTION 11: INDEX
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Fadeout time (sounds), 6.2, 6.3 FAS
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Syncing to Midi Clock and Song Posi
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