13.07.2015 Views

THE AVATAR IN PANAMA - Theses - Flinders University

THE AVATAR IN PANAMA - Theses - Flinders University

THE AVATAR IN PANAMA - Theses - Flinders University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

3.3 Reinventing the Double The Avatar in Panamaliterature as a cathartic process, a type of doubling, “Me pongo aescribir […] y tratando de concentrarme en el sentido metáforico delpárrafo que me propongo elaborar”. “Nereida” also seems to treat theproduction of literature as a form of therapy for the author, “pues suobra había sido concebida teniéndole a él mismo por destinatario”(140). “al afán que lo había impulsado a escribir”; (sé que te besan y lerepites a tu memoria que todo ocurre por primera vez, y así era cadavez);“Escribiendo a máquina” exploits the mise-en-abîme effect byopening with a writer who is in the process of finishing a story but forwhich he lacks a conclusion. The reader is told he is surrounded byghostly presences, “un rumor de presencias agonizantes. No supoexplicárselo” (179). Some invisible force enables him to writeunassisted and “Las teclas parecieron en una danza gris de letras”. Thewriter is caught between two dimensions being described concurrentlyby the striking of midnight chimes – one in the present and the other asa memory: “En su cabeza se iban desgranando al compás de las másinmediatas del cuarto: pero aquellas otras, por ser más íntimas,repercuten con más realidad” (179). Both dimensions seem to have losttheir boundaries. After the final echoes fade, everything becomespetrified as if time has stopped. It is unclear which dimension the writeris now in but his creative flows stops. In this story the writer may be outof his depth as through no will of his own, the creative urge starts andstops: he looks at what he has just produced: “Miró a su lado lospapeles temiendo comprender lo que había salido en ráfagasincontrolables de su mente minutos antes”, then the impetusdisappears, “La escena borrosa […] desapareció por completo, y desus manos tensas cayó la voluntad de seguir escribiendo” (179).Paragraphs three to eight comprise the fictional author’snarrative which is framed by Leyó and Dejó de leer. What he reads hehas just written is a stilted conversation with his wife on New Year’s Eveas they are just about to go out to a dance for their last time as amarried couple. After this their marriage, which has been one ofappearances, will end: “Se levantó. De pronto se sentía muy cansado”this is a defining moment for the author as the reader is privy to theprotagonist’s thoughts:Él quiso explicarle que parecería un pocoextraño llegar al baile del brazo de una difunta.¿Qué pensaría la gente? Podía hacer peligrarsu posición. ¿Cómo justificar semejantepárrafo de un cuento debe ser como la miniatura de un orfebre, dejarlo en su mínimaexpresión, sin que deje de ser efectivo, funcional y bello. Sigo creyendo que la bellezadebe ser una de las cualidades de un buen cuento.” Sancho Más. For furtherexamples, see Appendix C Automatic writing.254

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!