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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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Andrew Lang <strong>in</strong> <strong>the</strong> 'Seventies 83service <strong>in</strong> <strong>the</strong> political, <strong>the</strong> religious and some technicaldepartments, Lang <strong>was</strong> quite <strong>the</strong> k<strong>in</strong>g of all <strong>the</strong> contributorsto ' <strong>the</strong> papers' that I have known. His vessel did notcarry—thanks to <strong>the</strong> limitations just mentioned it didnot require—such heavy metal as H. D. Traill's; I fancythat it may itself have been of slightly too heavy adraught <strong>in</strong> respect of knowledge on <strong>the</strong> part of <strong>the</strong> readerto be able to skim <strong>the</strong> waves of universal popularity asdid, especially latterly, <strong>the</strong> craft of our common friendSir Edmund Gosse. But for a compound of scholarshipand lighthandedness, of multilegence and complete freedomfrom pedantry, of what may be called literary goodmanners, <strong>in</strong>f<strong>in</strong>ite wit and a peculiar humour he had, Ith<strong>in</strong>k, <strong>in</strong> his own generation no equal—certa<strong>in</strong>ly nosuperior.And wherever it <strong>was</strong> first shown <strong>the</strong>re I am sureappeared, though it could hardly be separately recognisedtill it <strong>was</strong> followed by someth<strong>in</strong>g else, a peculiarity whichhas not yet been mentioned but which depended withoutdoubt on th<strong>in</strong>gs that have been. And this <strong>was</strong> Lang'sextraord<strong>in</strong>ary <strong>in</strong>dividuality. You could not, after youhad seen a little of his writ<strong>in</strong>g, mistake it for any oneelse's or any one else's for his. Nor did this <strong>in</strong>dividualitydepend upon any tricks of style <strong>in</strong> <strong>the</strong> lower sense like<strong>the</strong> snipsnap of Macaulay; <strong>the</strong> chaotic riches of Carlyle;<strong>the</strong> repetitions and word-group<strong>in</strong>gs of Arnold; <strong>the</strong> <strong>in</strong>fusedblank verse (<strong>in</strong> <strong>the</strong>ir so different k<strong>in</strong>ds) of Rusk<strong>in</strong>and Dickens; <strong>the</strong> elaborate rhythm and colour<strong>in</strong>g ofPater. It <strong>was</strong> most commonly said to be like Thackeray's,and no doubt <strong>the</strong>re <strong>was</strong> a strong resemblance of spirit;but I really doubt whe<strong>the</strong>r <strong>the</strong> greatest similarity between<strong>the</strong>ir manners <strong>was</strong> not <strong>the</strong> fact that nei<strong>the</strong>r hadany manner easy to analyse or capable of be<strong>in</strong>g p<strong>in</strong>nedout and down. Only great <strong>in</strong>competence or great prejudice—forchoice perhaps a skilful comb<strong>in</strong>ation of <strong>the</strong>6-2

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