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184 Harley Granville-Barkerno interest in the art of the theatre for its own sake? Hadtwo movements of a Mozart quartet been snatched fromoblivion, how amateurs and critics would have descantedon them, studying every page, every bar! Yet h£re wasthe one piece of dramatic work done by a great man justdead, a master of character and wit, of prose and verse,and it was casually appraised at its mere entertainmentvalue. Did Meredith's ghost sit sardonically chucklingin the author's box, asking what the devil one had takenall the trouble for? Not displeased, though, to see thesefigures of his fancy brought to life, and in the glamour ofthe footlights! But he had said his say upon the matterlong before. We turn back to the essay:In all countries the middle class presents the public which,fighting the world, and with a good footing in the fight, knows theworld best....Of this class in England, a large body, neither Puritan norBacchanalian, have a sentimental objection to face the study ofthe actual world. They take up disdain of it, when its truths appearhumiliating: when the facts are not immediately forced on them,they take up the pride of incredulity. They live in a hazy atmospherethat they suppose an ideal one... .Philosopher and Comicpoet are of a cousinship in the eye they cast on life: and they areequally unpopular with our wilful English of the hazy region andthe ideal that is not to be disturbedThus, for want of instruction in the Comic idea, we lose a largeaudience among our cultivated middle class that we should expectto support Comedy, the sentimentalist is as averse as the Puritanand as the Bacchanalian.There was the very theme of the comedy he began towrite, there was the reason that he never troubled tofinish it; there, in the theatre for a few nights, thirtyyears or so later, sat the cultivated middle class—respectfully bored, most of them, doubtless.Our traditions are unfortunate indeed if we cannotbring some imagination to the making of this morsel ofgenius (for it is nothing less) complete enough for enjoyment.Have we not humour enough to see the humour
Tennyson, Swinburne, Meredith 185and an ear for the symphonic prose of the chorus ofSentimentalists crooning in ecstasy over the eloquence ofProfessor Spiral? Or read the scene between Lyra andAstraea, between the wife pursued by her husband—May no woman of my acquaintance marry a man of twentyyears her senior. She marries a gigantic limpet. At that period ofhis life a man becomes too voraciously constant.—and the widow, the 'dedicated widow', pursued bysuitor after suitor, boldly, timidly, slyly, most slyly ofall, we surmise, by the great Professor Spiral himself evenwhile he pledges her to 'sovereign disengagement'. Thispromises to be the play's plot, and he to hold a candle(and a bright one possibly) to Tartufe himself. Read thescene, read it aloud. It has one parallel at least in Englishdramatic literature, the counsellings of Rosalind andCelia in Arden; and it suffers not at all by the comparison.Lyra, Oh! Pluriel, ask me of him! I wish I were less sure hewould not be at the next corner I turn.Astraea. You speak of your husband strangely, Lyra.Lyra. My head is out of a sack. I managed my escape from himthis morning by renouncing bath and breakfast; and what a relief,to be in the railway carriage alone!—that is, when the enginesnorted. And if I set eyes on him within a week, he will hear sometruths. His idea of marriage is, the taking of the woman intocustody. My hat is on, and on goes Pluriel's. My foot is on thestairs; I hear his foot behind me. In my boudoir I am alone oneminute, and then the door opens to the inevitable. I pay a visit,he is passing the house as I leave it. He will not even affect surprise.I belong to him—I am cat's mouse. And he will look dotingon me in public. And when I speak to anybody, he is that fearfulpicture of all smirks. Fling off a kid glove after a round of calls;feel your hand—there you have me now that I am out of him formy half a day, if for as long.Astraea. This is one of the world's happy marriages !Lyra. This is one of the world's choice dishes! and I have itplanted under my nostrils eternally.. .And you are the cunningest of fencers, tongue or foils. You
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
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132 V. Sackville-Westof their day.
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134 Sir Arthur Pinero1829. He came
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136 Sir Arthur Pinerocontributed to
Page 158 and 159: 138 Sir Arthur Pineroquently styled
Page 160 and 161: 140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
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Page 168 and 169: 146 Sir Arthur Pineropresume to inq
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 194 and 195: 172 Harley Granville-Barkerrhetoric
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 202 and 203: 180 Harley Granville-BarkerTheir so
Page 204 and 205: 182 Harley Granville-BarkerOur tena
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Page 210 and 211: 186 Harley Granville-Barkerlead me
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 218 and 219: 194 Frederick S. Boaspapers falls t
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
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Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
Page 244 and 245: 220 R. W. Macanof the good intentio
Page 246 and 247: 222 R. W. Macanfor which Oxford had
Page 248 and 249: 224 R. W. Macanpublished in book fo
Page 250 and 251: 226 R. W. Macantion of Faculties or
Page 252 and 253: 228 R. W. Macanperiod. The institut
Page 254 and 255: 230 R. W. Macancomplexion are great
Page 256 and 257: 232 R. W. MacanEngland issued from
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234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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