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186 Harley Granville-Barkerlead me to talk of myself, and I hate the subject. By the way,you have practised with Mr Arden.Astraea. A tiresome instructor, who lets you pass his guard tocompliment you on a hit.Lyra. He rather wins me.Astraea. He does at first.Lyra. Begins Plurielizing, without the law to back him, does he?Astraea. The fencing lessons are at an end.Lyra. The duets with Mr Swithin's violoncello continue?'Astraea. He broke through the melody.Lyra. There were readings in poetry with Mr Osier, I recollect.Astraea. His own compositions became obtrusive.Lyra. No fencing, no music, no poetry! No West Coast ofAfrica either, I suppose.Astraea. Very well! I am on my defence. You at least shall notmisunderstand me, Lyra. One intense regret I have; that I didnot live in the time of the Amazons. They were free from thisquestion of marriage; this babble of love. Why am I so persecuted?He will not take a refusal. There are sacred reasons. I am supportedby every woman having the sense of her dignity. I am perverted,burlesqued by the fury of wrath I feel at their incessant pursuit....Laugh at me, half my time I am laughing at myself. I shouldregain my pride if I could be resolved on a step. I am strong toresist; I have not strength to move.Lyra. I see the sphinx of Egypt!Astraea. And all the while I am a manufactory of gunpowder inthis quiet old-world Sabbath circle of dear good souls, with theirstereotyped interjections and orchestra of enthusiasms; theirtapering delicacies; the rejoicing they have in their common agreementon all created things. To them it is restful. It spurs me tofly from rooms and chairs and beds and houses. I sleep hardly acouple of hours. Then into the early morning air, out with thebirds; I know no other pleasure....Lyra. What does the Dame say?Astraea. Sighs over me! Just a little maddening to hear.Lyra. When we feel we have the strength of giants, and arebidden to sit and smile! You should rap out some of our oldsweet-innocent garden oaths with her. ' Carnation! Dame!' Thatused to make her dance on her seat. 'But, dearest Dame, it is asnatural an impulse for women to have that relief as for men; andnatural will out, begonia! it will!' We ran through the book ofbotany for devilish objurgations. I do believe our misconductcaused us to be handed to the good man at the altar, as the rightcorrective. And you were the worst offender.
Tennyson, Swinburne, Meredith 187Astraea. Was I? I could be now, though I am so changed acreature.Lyra. You enjoy the studies with your Spiral, come IAstraea. Professor Spiral is the one honest gentleman here. Hedoes homage to my principles. I have never been troubled by him;no silly hints or side-looks—you know, the dog at the forbiddenbone.Lyra. A grand orator.Astraea. He is. You fix on the smallest of his gifts. He isintellectually and morally superior.Lyra. Praise of that kind makes me rather incline to prefer hisinferiors. He fed gobble-gobble on your puffs of incense. I coughedand scraped the gravel; quite in vain; he tapped for more andmore.Astraea. Professor Spiral is a thinker; he is a sage. He giveswomen their due.Lyra. And he is a bachelor too—or consequently.Astraea. If you like you may be as playful with me as the Lyraof our maiden days used to be. My dear, my dear, how glad I amto have you here! You remind me that I once had a heart. It willbeat again with you beside me, and I shall look to you for protection.A novel request from me. From annoyance, I mean. Ithas entirely altered my character. Sometimes I am afraid to thinkof what I was, lest I should suddenly romp, and perform pirouettesand cry ' Carnation!' There is the bell. We must not be late whenthe professor condescends to sit for meals.Lyra. That rings healthily in the professor.Astraea. Arm in arm, my Lyra.Lyra. No Pluriel yet!(they enter the house)This is about a third of it; and, for all its discursive air,it is, as dramatic dialogue should be, so closely knit as tomake extract difficult. It is ' artificial' comedy, of course.Not that the epithet is more than the label of a methodas little artificial and as much as any good writing meantto make a particular effect must be. So is Mozart's musicartificial. Whatever its method, this is true dramatic dialogue,lucid, dynamic, and as full of melody as Mozart is.Another scene survives, a night scene in the gardenbetween Astraea and young Arden her suitor (there hasbeen much about him already) who, we may be sure, is
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
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132 V. Sackville-Westof their day.
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134 Sir Arthur Pinero1829. He came
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136 Sir Arthur Pinerocontributed to
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138 Sir Arthur Pineroquently styled
Page 160 and 161: 140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
Page 166 and 167: 144 Sir Arthur Pinerothe company of
Page 168 and 169: 146 Sir Arthur Pineropresume to inq
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 194 and 195: 172 Harley Granville-Barkerrhetoric
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 202 and 203: 180 Harley Granville-BarkerTheir so
Page 204 and 205: 182 Harley Granville-BarkerOur tena
Page 206 and 207: 182 Harley Granville-BarkerOur tena
Page 208 and 209: 184 Harley Granville-Barkerno inter
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 218 and 219: 194 Frederick S. Boaspapers falls t
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
Page 234 and 235: §10Oxford in the 'SeventiesBy R W.
Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
Page 244 and 245: 220 R. W. Macanof the good intentio
Page 246 and 247: 222 R. W. Macanfor which Oxford had
Page 248 and 249: 224 R. W. Macanpublished in book fo
Page 250 and 251: 226 R. W. Macantion of Faculties or
Page 252 and 253: 228 R. W. Macanperiod. The institut
Page 254 and 255: 230 R. W. Macancomplexion are great
Page 256 and 257: 232 R. W. MacanEngland issued from
Page 258 and 259: 234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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