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64 Walter de la Marethough he may be, is in a position which he realises toolate is hideously weak. For owing to his father-in-law'ssagacity in tying up Hermione's money, her worldlygoods were only on sufferance his. For this reason,perhaps, he addresses her as 'My wife', or 'My Ladyhood'.When he wished to amuse her in the evenings,' he told her some facts of natural history'. Robbed atlength of his daughter, of his influence, of his agnosticworking-men, and even his bank account, he bows hishead and retires.His enemy, Mr Lascelles, is a sort of hieratic volcano,gaunt, frigid, capped with snow, yet menacingly eloquentof the suppressed and awful fires within. One of his flock,after an hysterical outburst at a harvest festival, diesof his dark influence. He secures most of Hermione'smoney, though she herself returns and is reconciled atlast to poor Richard on his death-bed.The effect of the story is oddly and garishly unreal; abright hard theatrical daylight dwells on the scene; andboth men are little more than waxworks. Yet its author'sviolent prejudices, though apparent, are ingeniouslyscreened. Quite apart from Mr Lascelles, she is no friendof man, as such; nor, being one herself, of strongmindedwomen neither. The cleverest woman in her storyis easily a match, in both senses, for the vicar, but evenshe has 'the curiosity of her sex'—in relation to octogeneticevolution. 'Men', we are told, 'never know anythingof what goes on about them. It is only women whofind the truth.' 'As if, again, 'the cleverest man in theworld is not as helpless as a babe, when the right kind ofwoman, who knows how he ought to be managed, takeshim in hand.'A faint hope of refuge from this sad extremity springsup with Mr Lascelles' tragic suggestion: '"So fewwomen understand the deeper thoughts of men. Some
Women Novelists of the 'Seventies 65supplement us, but it is given to very few to reallyunderstand us." "I know that", murmurs Hermione,"being one of the few."' But, alas, this is merely theold fable of the fox and the goose.That Mrs Linton was not only serious but intensely inearnest The True History of Joshua Davidson, ChristianCommunist, is overwhelming proof. What is moreastonishing nowadays, perhaps, this book had an immensepopular success. In spite of its intention, it is nota winning tale, nor is Under Which Lord. Mrs Linton'smost impressive female characters combine the chill ofthe crocodile with the austerity of the priestess and thecunning of the fox. They suggest a sort of neuter sex,being at the same .time queens of the hive and parishworkers. Her intention is ardent, but her ink is cold, andat times corrosive, and her attitude towards man isshared by a lady in Mrs Oliphant's The Three Brothers.She ' was endowed with that contempt for the masculineunderstanding that most women entertain'.Such, so it seems, was the general reflex of life in thefeminine fiction of the 'seventies. And this reflex concernsof course its kind, not its quality. When womanrules, her rod, there as everywhere, is adamantine. Whenshe shares the throne, and takes her Queen for her model,or meekly submits to an autocrat, a little feminine tactor manageableness, or the love that finds out a way, ordownright guile, or Lilith-like seducements, come to heraid. A few tears are still a resource, and not to one sexonly; a good cry is still an anodyne and a tonic, thoughthe swoon and the vapours are going out. The womennovelists themselves, if judged by their work, do notseem to have been made desperately unhappy because inEden Adam needed a help meet for him. To read theirfiction is to be refreshed by the courage, the fidelity, thewits, the loving insight, and above all the sovran good5
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
Page 34 and 35: 14 The Marquess of Crewearchaeology
Page 36 and 37: 16 The Marquess of Creweintimate wi
Page 38 and 39: 18 The Marquess of Crewetogether wi
Page 40 and 41: 20 The Marquess of Crewehis usual s
Page 42 and 43: *•••
Page 44 and 45: 24 Hugh Walpolethe author of Orland
Page 46 and 47: 26 Hugh Walpolecompanion, Scott the
Page 48 and 49: 28 Hugh WalpoleBut it may be that t
Page 50 and 51: 30 Hugh Walpolenaturally divides. T
Page 52 and 53: 32 Hugh Walpolevery good reasons. O
Page 54 and 55: 34 Hugh Walpolereinvestigation of m
Page 56 and 57: 36 Hugh Walpole'Alas! poor soul,' s
Page 58 and 59: 38 Hugh Walpolehow is the novelist
Page 60 and 61: 40 Hugh Walpole'The fact is,' said
Page 62 and 63: 42 Hugh Walpolehimself in the river
Page 64 and 65: 44 Hugh Walpoleinevitable without b
Page 66 and 67: 46 Walter de la MareWhat was its ge
Page 68 and 69: 48 Walter de la Marethe train from
Page 70 and 71: 50 Walter de la MareIn space our th
Page 72 and 73: 52 Walter de la MareNovelists, too,
Page 74 and 75: 54 Walter de la Marehow the wild we
Page 76 and 77: 56 Walter de la MareDangerous Ages,
Page 78 and 79: 58 Walter de la MareChannel Islands
Page 80 and 81: 60 Walter de la Marenefarious finge
Page 82 and 83: 62 Walter de la Mareescaped from Ap
Page 86 and 87: 66 Walter de la Maresense of the wo
Page 88 and 89: 68 Walter de la Marebe cumulatively
Page 90 and 91: 70 Walter de la Mareconscious, the
Page 92 and 93: 72 Walter de la Marecompany. This a
Page 94 and 95: 74 Walter de la Marerichly but ligh
Page 96 and 97: 76 Walter de la Marekindly, deteste
Page 98 and 99: 78 Walter de la Maregas, like water
Page 100 and 101: §4'•••«•••>•>«•
Page 102 and 103: 82 George Saintsburyedgedness of th
Page 104 and 105: 84 George Saintsburytwo—could fai
Page 106 and 107: 86 George Saintsburyarticles. I hav
Page 108 and 109: 88 George SaintsburyOdyssey which h
Page 110 and 111: 90 George Saintsburybook deserved m
Page 112 and 113: 92 George Saintsburyone at least te
Page 114 and 115: 94 George Saintsburyhim: and I am e
Page 116 and 117: §5The Poetry of the 'SeventiesBy J
Page 118 and 119: 98 John Drinkwatershould readily re
Page 120 and 121: 100 John Drinkwater'seventies and a
Page 122 and 123: 102 John Drinkwaterin a positive cl
Page 124 and 125: 104 John DrinkwaterAnd it is just b
Page 126 and 127: 106 John Drinkwaterthe best English
Page 128 and 129: 108 John DrinkwaterThe skies seem'd
Page 130 and 131: 110 John DrinkwaterFour ducks on a
Page 132 and 133: 112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
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132 V. Sackville-Westof their day.
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134 Sir Arthur Pinero1829. He came
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136 Sir Arthur Pinerocontributed to
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138 Sir Arthur Pineroquently styled
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140 Sir Arthur Pinerothe drama were
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140 Sir Arthur Pinerothe drama were
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142 Sir Arthur Pineroto grapple wit
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144 Sir Arthur Pinerothe company of
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146 Sir Arthur Pineropresume to inq
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148 Sir Arthur PineroWhose name, in
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150 Sir Arthur PineroVaudeville cur
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152 Sir Arthur PineroAh, my loved s
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154 Sir Arthur Pineroness for the s
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156 Sir Arthur Pinerothe audience o
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158 Sir Arthur PineroGenial, warm-h
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160 Sir Arthur Pinerohorizon... gli
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162 Harley Granville-Barkeraccount
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164 Harley Granville-Barkerlong—w
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166 Harley Granville-BarkerShakespe
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168 Harley Granville-BarkerOr for m
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170 Harley Granville-Barkerwhich wa
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172 Harley Granville-Barkerrhetoric
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174 Harley Granville-BarkerThe ligh
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176 Harley Granville-Barkerwrites,
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178 Harley Granville-Barkeralone to
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180 Harley Granville-BarkerTheir so
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182 Harley Granville-BarkerOur tena
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182 Harley Granville-BarkerOur tena
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184 Harley Granville-Barkerno inter
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186 Harley Granville-Barkerlead me
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188 Harley Granville-Barkerdestined
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190 Harley Granville-Barkerdoes not
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§9Critics and Criticism in the'Sev
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194 Frederick S. Boaspapers falls t
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196 Frederick S. Boaspeace that it
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198 Frederick S. Boasand accusing h
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200 Frederick S. Boas' noble compan
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202 Frederick S. Boasaltogether int
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204 Frederick S. Boasgave him the m
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206 Frederick S. BoasIn a rhythm of
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208 Frederick S. Boasgrowth of his
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§10Oxford in the 'SeventiesBy R W.
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212 R. W. Macanfields within the pr
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214 R. W. Macanand commercial sky-s
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216 R. W. MacanBut, albeit 'Reform
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218 R. W. Macanare and do what they
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220 R. W. Macanof the good intentio
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222 R. W. Macanfor which Oxford had
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224 R. W. Macanpublished in book fo
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226 R. W. Macantion of Faculties or
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228 R. W. Macanperiod. The institut
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230 R. W. Macancomplexion are great
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232 R. W. MacanEngland issued from
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234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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