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172 Harley Granville-Barkerrhetoric; and he never comes to despise even the conventionalclaptrap of the rhymed couplet, for the effectivewhipping up of a scene's end.Tennyson's verse was, almost inevitably, of anothercast. He had written all his life to be read rather thanspoken. He wrote reflectively, analytically. This mightnot have mattered—it never mattered with Shakespeare—hadthere been the primary emotion beneath;but there so seldom is. His verse does not vibrate. Hewrote now pathetically, now fancifully; and he couldnever fail in dignity.Cranmer's confession of faith:Good people, every man at time of deathWould fain set forth some saying that may liveAfter his death and better humankind;For death gives life's last word the power to live,And, like the stone cut epitaph, remainAfter the vanished voice, and speak to men....(One remembers Buckingham's farewell. Fletcher's workis it—which is also as apt to lack underlying passion?Tennyson suffers not at all by comparison here.)The tale of his burning:Then Cranmer lifted his left hand to heavenAnd thrust his right into the bitter flame;And crying in his deep voice more than once,'This hath offended—this unworthy hand!'So held it till it all was burned, beforeThe flame had reached his body; I stood near—Mark'd him—he never uttered moan of pain:He never stirr'd or writhed, but, like a statueUnmoving in the greatness of the flame,Gave up the ghost....(How fine! But it is narrative, and not immediatelydramatic. He outruns the allowance of narrative properto a play, for it is a very small one. A temptation, this,to most practised writers turning dramatist!)
Tennyson, Swinburne, Meredith 173Then there is the pretty fancy—as she hears the milkmaidsinging—of Elizabeth'sI would I were a milkmaid,To sing, love, marry, churn, brew, bake and die.Then have my simple headstone by the church,And all things lived and ended honestly.I could not if I would. I am Harry's daughterThis is authentic Tennyson, and holds its own for a duemoment.Philip is written somewhat flatly—his main business isto be bored and yet more bored by England and his queen—but with true economy and admirable irony. And who,that ever heard him, cannot hear Irving sayingBy St James I do protest,Upon the faith and honour of a Spaniard,I am vastly grieved to leave your Majesty.Simon, is supper ready?But Mary herself has, as she should have, the best ofthe play; and Tennyson is, at the crucial moments,spontaneously at his best in the writing of her. Thecalculated effectiveness of the second act's ending withits echoedMy foes are at my feet and I am Queen.could be carpentered up by any one, and the slashing ofPhilip's picture is commonplace. But her lonely thrillingto the hope of the unborn child:He hath awaked! He hath awaked!He stirs within the darkness!...The second Prince of Peace—The great unborn defender of the Faith,Who will avenge me of mine enemies—He comes, and my star rises.The stormy Wyatts and Northumberlands,The proud ambitions of Elizabeth,And all her fiercest partisans—are paleBefore my star!
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
Page 144 and 145: 124 V. Sackville-WestHere's cause:
Page 146 and 147: 126 V. Sackville-WestThy circles of
Page 148 and 149: 128 V. Sackville-Westespecially of
Page 150 and 151: 130 V. Sackville-WestThe winds had
Page 152 and 153: 132 V. Sackville-Westof their day.
Page 154 and 155: 134 Sir Arthur Pinero1829. He came
Page 156 and 157: 136 Sir Arthur Pinerocontributed to
Page 158 and 159: 138 Sir Arthur Pineroquently styled
Page 160 and 161: 140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
Page 166 and 167: 144 Sir Arthur Pinerothe company of
Page 168 and 169: 146 Sir Arthur Pineropresume to inq
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 202 and 203: 180 Harley Granville-BarkerTheir so
Page 204 and 205: 182 Harley Granville-BarkerOur tena
Page 206 and 207: 182 Harley Granville-BarkerOur tena
Page 208 and 209: 184 Harley Granville-Barkerno inter
Page 210 and 211: 186 Harley Granville-Barkerlead me
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 218 and 219: 194 Frederick S. Boaspapers falls t
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
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Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
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220 R. W. Macanof the good intentio
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222 R. W. Macanfor which Oxford had
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224 R. W. Macanpublished in book fo
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226 R. W. Macantion of Faculties or
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228 R. W. Macanperiod. The institut
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230 R. W. Macancomplexion are great
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232 R. W. MacanEngland issued from
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234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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