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146 Sir Arthur Pineropresume to inquire into your private affairs; you willplease observe the same reticence with regard to mine.'On another occasion he was accosted in the foyer of atheatre by a well-known amateur actor, a Mr H. SuchGranville. ' Excuse me, Mr Gilbert,' said that gentleman—' excuse me for speaking to you without an introduction.You may have heard of me; my name is Such, but I actas Granville.' 'Oh, do you,' retorted Gilbert, resentingthe liberty, 'then I wish your name was Granville andyou acted as such.' This encounter took place at theGarrick Theatre. Gilbert built the Garrick Theatre as aspeculation, and leased it to his friend John Hare. To thedismay of everybody concerned, when the digging for thefoundation had reached a certain depth a copious springwas discovered, and for a while it was feared that thebuilding could not be proceeded with. 'Well,' saidGilbert, with more philosophy than he usually displayed,'at least we shall be able to let the fishing.'Gilbert's first essay in dramatic writing was a piececalled Dulcamara, a burlesque of the Elisir d'Amore ofDonizetti and Romani. This was produced by MissT-bert, the lessee of the St James's Theatre in 1868.Jierbert had invited Robertson to furnish her withiristmas entertainment, but his hands were too fullHow of his accepting the job, so he begged her toist the commission to Gilbert, in whom he had a firmef. Miss Herbert acted on Robertson's advice, andit came to pass that what Byron did for Robertson,bertson was able to do for Gilbert. In neither case, ase younger Robertson observes in his Recollections ofhis father, was judgment at fault. But, with Robertsonto the fore at the Prince of Wales's as the author oforiginal work, Gilbert was not content to follow up thesuccess of Dulcamara with pieces of the same order; andin 1870 the first of his fairy comedies—The Palace of
The Theatre in the 'Seventies 147Truth—was produced by Buckstone at the HaymarketTheatre. It is evident that by that time Buckstone, mostconservative of managers, was in a chastened mood andhad become thoroughly alive to the direction in which,owing to Robertson's ascendancy, the wind was blowing.The Palace of Truth was succeeded at the Haymarket, in1871, by Pygmalion and Galatea, and Pygmalion andGalatea, in 1873, by The Wicked World. These three playsare full of charm, notwithstanding their decided savourof cynicism, and possess a literary quality which, withoutany loss of theatrical effect, makes them eminently readable.Another fairy play of Gilbert—Broken Hearts—wasproduced at the Court Theatre in 1876, and among hisless fanciful pieces belonging to the 'seventies are hispathetic Sweethearts, his austere Charity, both done in1874, his whimsical Engaged, and a version of the Faustlegend called Gretchen. Gretchen failed to attract. Oneevening at the Beefsteak Club Gilbert was induced by alittle group of admirers to explain in detail his treatmentof the Faust story. A too-eager listener broke in with thequestion, 'And how did it end?' 'Oh, it ended in a fortnight,'said Gilbert, annoyed by the interruption.It is not within my task to pursue the history ofwriter beyond the 'seventies. Suffice it that he proeventually that the bent of his genius lay in pure fanrather than in transcripts of the actualities of life. Wthe plots of his straightforward comedies are skillmanaged, his dialogue is without Robertson's nattouch; his characters talk in a manner that is stiff, fomtoo carefully contrived. He found his metier ultimatein his association with Sullivan, and by that associationit is safe to prophesy, he will live. I trust I have not, byany unhappy suggestion, given an unfair picture ofGilbert. He was a brilliant creature, and he added a newword to the English language—' Gilbertian'.10-2
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
Page 118 and 119: 98 John Drinkwatershould readily re
Page 120 and 121: 100 John Drinkwater'seventies and a
Page 122 and 123: 102 John Drinkwaterin a positive cl
Page 124 and 125: 104 John DrinkwaterAnd it is just b
Page 126 and 127: 106 John Drinkwaterthe best English
Page 128 and 129: 108 John DrinkwaterThe skies seem'd
Page 130 and 131: 110 John DrinkwaterFour ducks on a
Page 132 and 133: 112 V. Sackville-Westwere women—t
Page 134 and 135: 114 V. Sackville-Westdid not approv
Page 136 and 137: 116 V. Sackville-Westproperty, inst
Page 138 and 139: 118 V. Sackville-Westjudgment, wort
Page 140 and 141: 120 V. Sackville-Westgenius had nev
Page 142 and 143: 122 V. Sackville-WestAnd Louisa Gug
Page 144 and 145: 124 V. Sackville-WestHere's cause:
Page 146 and 147: 126 V. Sackville-WestThy circles of
Page 148 and 149: 128 V. Sackville-Westespecially of
Page 150 and 151: 130 V. Sackville-WestThe winds had
Page 152 and 153: 132 V. Sackville-Westof their day.
Page 154 and 155: 134 Sir Arthur Pinero1829. He came
Page 156 and 157: 136 Sir Arthur Pinerocontributed to
Page 158 and 159: 138 Sir Arthur Pineroquently styled
Page 160 and 161: 140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
Page 166 and 167: 144 Sir Arthur Pinerothe company of
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 194 and 195: 172 Harley Granville-Barkerrhetoric
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 202 and 203: 180 Harley Granville-BarkerTheir so
Page 204 and 205: 182 Harley Granville-BarkerOur tena
Page 206 and 207: 182 Harley Granville-BarkerOur tena
Page 208 and 209: 184 Harley Granville-Barkerno inter
Page 210 and 211: 186 Harley Granville-Barkerlead me
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
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194 Frederick S. Boaspapers falls t
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196 Frederick S. Boaspeace that it
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198 Frederick S. Boasand accusing h
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200 Frederick S. Boas' noble compan
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202 Frederick S. Boasaltogether int
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204 Frederick S. Boasgave him the m
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206 Frederick S. BoasIn a rhythm of
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208 Frederick S. Boasgrowth of his
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§10Oxford in the 'SeventiesBy R W.
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212 R. W. Macanfields within the pr
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214 R. W. Macanand commercial sky-s
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216 R. W. MacanBut, albeit 'Reform
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218 R. W. Macanare and do what they
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220 R. W. Macanof the good intentio
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222 R. W. Macanfor which Oxford had
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224 R. W. Macanpublished in book fo
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226 R. W. Macantion of Faculties or
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228 R. W. Macanperiod. The institut
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230 R. W. Macancomplexion are great
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232 R. W. MacanEngland issued from
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234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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