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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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The Theatre <strong>in</strong> <strong>the</strong> 'Seventies 135company be<strong>in</strong>g disbanded, he broke away from his familyand went to London. There he accepted any employmen<strong>the</strong> could obta<strong>in</strong> <strong>in</strong> connexion with <strong>the</strong> <strong>the</strong>atre, usually,as he told his son, at that class of <strong>the</strong>atre where <strong>the</strong> performance<strong>was</strong> advertized to take place at an hour which,however often <strong>the</strong> hour <strong>was</strong> changed, <strong>the</strong> public evidentlyfound to be an <strong>in</strong>convenient one. He had not been long<strong>in</strong> London when he wrote his first piece, a little dramacalled A Nighf's Adventure. After persistent efforts to gethis play produced, he contrived to w<strong>in</strong> <strong>the</strong> sympathy ofWilliam Farren, <strong>the</strong> elder, <strong>the</strong>n manager of <strong>the</strong> Olympic,and Farren put <strong>the</strong> piece upon <strong>the</strong> stage. It failed utterly,runn<strong>in</strong>g—or, ra<strong>the</strong>r, stagger<strong>in</strong>g—for four nights only.This <strong>was</strong> <strong>in</strong> 1851, when Robertson <strong>was</strong> twenty-two.It <strong>was</strong> about this time that he met, and formed afriendship with, Henry James Byron—a friendship whichlasted till Robertson's death. Byron, slightly Robertson'sjunior, <strong>was</strong> also an actor and an aspir<strong>in</strong>g playwright. Ishall have a good deal to say about Byron as an authorlater on. Meanwhile it is enough to record that <strong>the</strong>se twoyoung men acted toge<strong>the</strong>r <strong>in</strong> various companies, halfstarvedtoge<strong>the</strong>r, and lived to see each o<strong>the</strong>r popular andprosperous. Byron <strong>was</strong> <strong>the</strong> first of <strong>the</strong> two to succeed,and <strong>the</strong>n, as I shall show, he did not forget his friend.They lived <strong>in</strong> a foolish, sentimental age.Among <strong>the</strong> tribulations which Byron and Robertsonsuffered jo<strong>in</strong>tly <strong>was</strong> one aris<strong>in</strong>g out of <strong>the</strong> hir<strong>in</strong>g of apublic room <strong>in</strong> London for <strong>the</strong> performance of an enterta<strong>in</strong>ment<strong>the</strong>y had written <strong>in</strong> collaboration—an enterta<strong>in</strong>mentso artfully constructed that while Byron <strong>was</strong> on <strong>the</strong>stage <strong>in</strong> <strong>the</strong> first part Robertson could fill <strong>the</strong> office ofmoneytaker, and while Robertson occupied <strong>the</strong> stage,prior to <strong>the</strong>ir appearance <strong>in</strong> a duologue which f<strong>in</strong>ished <strong>the</strong>programme, Byron could take control of <strong>the</strong> pay-box.A k<strong>in</strong>d patron paid <strong>the</strong> first week's rent <strong>in</strong> advance and

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