R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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180 Harley Granville-BarkerTheir souls be kindled to devour for preyThe people that would make its prey of themAnd leave God's altar stripped of sacramentAs all kings' heads of sovereignty, and makeBare as their thrones his temples; I will setThe old things of his holiness on highThat are brought low, and break beneath my feetThese new things of men's fashion; I will sitAnd see tears flow from eyes that saw me weepAnd dust and ashes and the shadow of deathCast from the block beneath the axe that fallsOn heads that saw me humbled; I will do it,Or bow mine own down to no royal endAnd give my blood for theirs if God's will be,But come back never as I now go forthWith but the hate of men to track my wayAnd not the face of any friend alive.Mary Beaton. But I will never leave you till you die.—ends it, but for Mary Beaton's echoing murmur; wistful,sinister. Swinburne had evidently planned to linkup his Trilogy by this strange recurring note of fatidicdevotion to the Queen, blent with the patient hunger forvengeance to fall on her for Chastelard's betrayal, ahunger to be sated at last. But in the densities of Bothwellthe effect is lost.This last scene is true drama; it will answer to any test.If it seems not to fit the work-a-day theatre, a theatre canbe moulded for it. Authentic art has never failed of interpretationyet. Could Swinburne but have disciplinedhimself, not to the mechanics of a given stage, but to theinevitable rigour of dramatic form; could he have relaxedand lost himself a little in its amenities (Had henot been Swinburne! Yes, it always comes to that), hisplays would have won their theatre in the end; and thisnone too opulent theatre of ours would have won adramatist and poet as well.What of Meredith's place in the story? It wouldseem, by virtue of but a few scattered scraps of dialogue,
Tennyson, Swinburne, Meredith 181to be one of no consequence at all. He was that thingleast regarded in England, a conscious literary artist; hewas self-regardful too, perhaps in excess. He set out toplease himself by what he wrote; happy enough no doubt,if he pleased other people as well, but incapable ofswerving an inch from his path to make matters easierfor them, apt indeed to lead them defiantly a little bitmore of a dance. It was not mere wilfulness, rather asort of religion with him to show the barbarian that art,in its making or liking, must be a spiritually athleticthing.He was fifty when he wrote the Essay on Comedy. Itsums up much of his literary faith, and lets us see,incidentally, how far he was—and he knew it—fromanything like popularity.'There are plain reasons', he says, 'why the Comic poet is nota frequent apparition; and why the great Comic poet remainswithout a fellow. A society of cultivated men and women isrequired, wherein ideas are current and the perceptions quick, thathe may be supplied with matter and an audience. The semibarbarismof merely giddy communities, and feverish emotionalperiods, repel him; and also a state of marked social inequality ofthe sexes; nor can he whose business is to address the mind beunderstood where there is not a moderate degree of intellectualactivity'Moreover, to touch and kindle the mind through laughter,demands more than sprightliness, a most subtle delicacy. Thatmust be a natal gift in the Comic poet.... People are ready tosurrender themselves to witty thumps on the back, breast andsides; all except the head: and it is there that he aims. He mustbe subtle to penetrate. A corresponding acuteness must exist towelcome him.'That is not the attitude, those are not the demands ofthe popular writer. He talks ostensibly of the theatreonly, of Moliere, Congreve, Wycherley, admits that sincethe time when ' our second Charles' set up as patron of aComedy of Manners
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
Page 152 and 153: 132 V. Sackville-Westof their day.
Page 154 and 155: 134 Sir Arthur Pinero1829. He came
Page 156 and 157: 136 Sir Arthur Pinerocontributed to
Page 158 and 159: 138 Sir Arthur Pineroquently styled
Page 160 and 161: 140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
Page 166 and 167: 144 Sir Arthur Pinerothe company of
Page 168 and 169: 146 Sir Arthur Pineropresume to inq
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 194 and 195: 172 Harley Granville-Barkerrhetoric
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 204 and 205: 182 Harley Granville-BarkerOur tena
Page 206 and 207: 182 Harley Granville-BarkerOur tena
Page 208 and 209: 184 Harley Granville-Barkerno inter
Page 210 and 211: 186 Harley Granville-Barkerlead me
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 218 and 219: 194 Frederick S. Boaspapers falls t
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
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Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
Page 244 and 245: 220 R. W. Macanof the good intentio
Page 246 and 247: 222 R. W. Macanfor which Oxford had
Page 248 and 249: 224 R. W. Macanpublished in book fo
Page 250 and 251: 226 R. W. Macantion of Faculties or
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228 R. W. Macanperiod. The institut
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230 R. W. Macancomplexion are great
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232 R. W. MacanEngland issued from
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234 R. W. Macanhad been until 1854,
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236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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