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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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The Theatre <strong>in</strong> <strong>the</strong> 'Seventies 149Theatre till September <strong>in</strong> <strong>the</strong> follow<strong>in</strong>g <strong>year</strong>, when it <strong>was</strong>displaced by Apple Blossoms, a delightful but weakerpiece. These two plays were Albery's outstand<strong>in</strong>g successes.In his o<strong>the</strong>r orig<strong>in</strong>al plays <strong>the</strong>re <strong>was</strong> <strong>the</strong> sparkl<strong>in</strong>g,promis<strong>in</strong>g first act; and <strong>the</strong>n came <strong>the</strong> slacken<strong>in</strong>g of gripand <strong>the</strong> signs of <strong>in</strong>firmity of purpose. Yet <strong>the</strong>re <strong>was</strong> noneof <strong>the</strong>m that did not reveal a keen <strong>in</strong>sight <strong>in</strong>to life, andoften a ve<strong>in</strong> of genu<strong>in</strong>e poetry. The late William Archer,that f<strong>in</strong>e critic and honest man—held Albery as a dramatist<strong>in</strong> high esteem. In an obituary notice, Archer wrote:' If Mr Albery had fulfilled <strong>the</strong> promise of <strong>the</strong> Two Rosesand <strong>the</strong> little group of comedies that followed close uponit, how deep would have been our mourn<strong>in</strong>g to-day!...Beside Albery at his best, T. W. Robertson at his best isas appoll<strong>in</strong>aris to champagne, and H. J. Byron—well,shall we say lemonade?' Yes, dear Archer, but Robertson<strong>was</strong> a pioneer, Albery a disciple—<strong>in</strong> every sense of <strong>the</strong>word, a follower. Archer proceeds:I may possibly overestimate Albery's powers; for our detestablehabit of leav<strong>in</strong>g <strong>the</strong> drama to moulder <strong>in</strong> dog-eared prompt-booksrenders it impossible for me to check my somewhat remote impressions.All I know is that some scenes <strong>in</strong> Two Roses andespecially <strong>in</strong> Forgiven, have caused me as vivid pleasure asanyth<strong>in</strong>g I ever saw <strong>in</strong> a <strong>the</strong>atre. It is a mistake to suppose thatAlbery's best work is <strong>in</strong> Two Roses. That may be his best playas a whole (his least bad play would be a more correct form ofexpression), but I am much mistaken if several passages <strong>in</strong> Forgivendo not show to much greater perfection his wealth ofimag<strong>in</strong>ative wit. His fancy, <strong>in</strong>deed, <strong>was</strong> too luxuriant to be keptwith<strong>in</strong> bounds by his ra<strong>the</strong>r deficient sense of dramatic propriety.But he could certa<strong>in</strong>ly have cultivated that sense, as well as <strong>the</strong>o<strong>the</strong>r faculties of <strong>the</strong> serious dramatist, had he so chosen. To aman with his eye for character and his delightful gift of dialoguenoth<strong>in</strong>g should have been impossible, had he only taken <strong>the</strong> troubleto master his craft.Archer cont<strong>in</strong>ues: 'My one personal recollection ofAlbery is see<strong>in</strong>g him stand<strong>in</strong>g white with rage, before <strong>the</strong>

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