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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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54 Walter de la Marehow <strong>the</strong> wild west w<strong>in</strong>d of popular op<strong>in</strong>ion and capricemay sweep a fiction once alive and beloved <strong>in</strong>to <strong>the</strong>seem<strong>in</strong>gly lost, if not <strong>in</strong>to <strong>the</strong> irrecoverable.The distance that <strong>in</strong> fiction lends re-enchantment to<strong>the</strong> view, has <strong>in</strong>deed to be considerable. The once expensivefurniture, glass and ch<strong>in</strong>a of <strong>the</strong> 'seventies hasas yet won only half-way to <strong>the</strong> goal of what <strong>the</strong> AmericanCustoms Officers recognise as <strong>the</strong> ' antique'. First editionsof its women novelists are <strong>in</strong> even worse case. As rankon rank, dw<strong>in</strong>dl<strong>in</strong>g <strong>in</strong> perspective, <strong>the</strong>y repose on <strong>the</strong>irmetallic shelves <strong>in</strong> <strong>the</strong> London Library and meet <strong>the</strong>falter<strong>in</strong>g eye of <strong>the</strong> enquirer, <strong>the</strong>y may shed a tranquillis<strong>in</strong>gcalm—but <strong>the</strong>y are unlikely to be collected. Thisis no proof however that <strong>the</strong>y are unworthy of be<strong>in</strong>g recollected.'The demon of Chronology' be<strong>in</strong>g <strong>in</strong> our midst, only<strong>the</strong> dryest statistics can suggest <strong>the</strong> actual situation. In<strong>the</strong> <strong>year</strong> 1875, <strong>the</strong>n, when ComiN' thro' <strong>the</strong> Rye appearedand Thomas Hardy had recently published A Pair ofBlue Eyes and Far from <strong>the</strong> Madd<strong>in</strong>g Crowd, when Meredith<strong>was</strong> forty-seven and Henry James thirty-two, whenMr Wells, Mr Galsworthy and Mr Bennett were not yet<strong>in</strong> <strong>the</strong>ir 'teens, <strong>the</strong> follow<strong>in</strong>g novelists were more or lessengrossed <strong>in</strong> <strong>the</strong> production of fiction: George Eliot,Mrs Henry Wood, Anne Mann<strong>in</strong>g, Mrs Alexander, MrsOliphant, Rhoda Broughton, Charlotte Yonge, CharlotteTucker, Mrs Lynn L<strong>in</strong>ton, Jean Ingelow, Julia Kavanagh,Amelia Edwards, Mrs Annie Edwardes, Miss Betham-Edwards, Mrs Craik, Mrs Marshall, Mrs Hungerford, MrsRiddell, Elizabeth Charles, Harriet Parr, Hesba Stretton,Mrs Archer Clive, 'Ouida', Mary Elizabeth Braddon,Rosa Carey, Charlotte Dempster, Rosa Kettle, MrsL<strong>in</strong>naeus Banks, Florence Montgomery, Lady AugustaNoel, Mary L<strong>in</strong>skill, Eleanor Poynter, Florence Marryat,Mary Roberts, Mrs Hibbert Ware, Mrs Robert Stuart de

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