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188 Harley Granville-Barkerdestined to win her. It is in verse, and probably from anearlier draft of the play 1 . Here is the start of it.SCENE VI.Astraea, Arden.Astraea. Pardon me if I do not hear you well.Arden, I will not even think you barbarous.Astraea. I am. I am the object of the chase.Arden. The huntsman drags the wood then, and not you.Astraea. At any instant I am forced to run,Or turn in my defence; how can I beOther than barbarous? You are the cause.Arden. No: heaven that made you beautiful's the cause.Astraea. Say, earth, that gave you instincts. Bring me downTo instincts! When by chance I speak awhileWith our professor, you appear in haste,Full cry to sight again the missing hare.Away ideas ! All that's divinest flies !I have to bear in mind how young you are.Arden. You have only to look up to me four yearsInstead of forty!Astraea. Sir! 2Arden.There's my misfortune!And worse that, young, I love as a young man.Could I but quench the fire, I might concealThe youthfulness offending you so much.Astraea. I wish you would. I wish it earnestly.Arden.Astraea.Arden.Astraea.Arden.Impossible. I burn.You should not burn.'Tis more than I! 'Tis fire. It masters Will.You would not say 'Should not' if you knew fire.It seizes. It devours.Dry wood!Cold wit!How cold you can be! but be cold, for sweetYou must be. And your eyes are mine: with themI see myself: unworthy to usurpThe place I hold a moment. While I lookI have my happiness.Astraea.You should look higher.1 If my memory serves, it had at some later time been partlyredrafted into prose.2 She is, we remember here, the widow of 'the venerable ProfessorTowers.'
Tennyson, Swinburne, Meredith 189Arden, Through you to the highest. Only through you! ThroughyouThe mark I may attain is visible,And I have strength to dream of winning it.You are the bow that speeds the arrow: youThe glass that brings the distance nigh. My worldIs luminous through you, pure heavenly,But hangs upon the rose's outer leaf,• Not next her heart. Astraea! my own beloved!Astraea. We may be excellent friends. And I have faults.Arden.Astraea.Name them: I am hungering for more to love.I waver very constantly; I haveNo fixity of feeling or of sight.I have no courage: I can often dreamOf daring: when I wake I am in dread.I am inconstant as a butterfly,And shallow as a brook with little fish!Strange little fish, that tempt the small boy's net,But at a touch straight dive!I am anyone's, and no one's! I am vain.Praise of my beauty lodges in my ears.The lark reels up with it; the nightingaleSobs bleeding; the flowers nod; I could believeA poet, though he praised me to my face....Meredith has here forged a verse all his own, and all hisplay's own, too. It is light and swift and sparkling, avehicle for wit as well as emotion. It is eloquent butnever orotund. It has artifice enough to keep it in keywith the rest of the play, with the Sentimentalists andtheir preciosities, never so much as to rob it of romance.He avoids the tempting error of the rhymed couplet,which would have seemed too calculated. The sceneis, in fact, as the play is, for all of its incompleteness,something unique in English Literature.What Meredith lost in losing this medium of thetheatre is very obvious. He speaks of Moliere writing' purely, in the simplest language, the simplest of Frenchverse'; of his wit aslike a running brook, with innumerable fresh lights on it at everyturn of the wood, through which its business is to find a way. It
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
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132 V. Sackville-Westof their day.
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134 Sir Arthur Pinero1829. He came
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136 Sir Arthur Pinerocontributed to
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138 Sir Arthur Pineroquently styled
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140 Sir Arthur Pinerothe drama were
Page 162 and 163: 140 Sir Arthur Pinerothe drama were
Page 164 and 165: 142 Sir Arthur Pineroto grapple wit
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Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
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Page 184 and 185: 162 Harley Granville-Barkeraccount
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Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 218 and 219: 194 Frederick S. Boaspapers falls t
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
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Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
Page 244 and 245: 220 R. W. Macanof the good intentio
Page 246 and 247: 222 R. W. Macanfor which Oxford had
Page 248 and 249: 224 R. W. Macanpublished in book fo
Page 250 and 251: 226 R. W. Macantion of Faculties or
Page 252 and 253: 228 R. W. Macanperiod. The institut
Page 254 and 255: 230 R. W. Macancomplexion are great
Page 256 and 257: 232 R. W. MacanEngland issued from
Page 258 and 259: 234 R. W. Macanhad been until 1854,
Page 260 and 261: 236 R. W. Macanidealism by the youn
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238 R. W. Macansole woman present,
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240 R. W. Macanhear his Inaugural L
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242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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