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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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108 John Dr<strong>in</strong>kwaterThe skies seem'd true above <strong>the</strong>e,The rose true on <strong>the</strong> tree;The bird seem'd true <strong>the</strong> summer through,But all proved false to me.World! is <strong>the</strong>re one good th<strong>in</strong>g <strong>in</strong> you,Life, love, or death—or what?S<strong>in</strong>ce lips that sang, I love <strong>the</strong>e,Have said, I love <strong>the</strong>e not?I th<strong>in</strong>k <strong>the</strong> sun's kiss will scarce fallInto one flower's gold cup;I th<strong>in</strong>k <strong>the</strong> bird will miss me,And give <strong>the</strong> summer up.O sweet place! desolate <strong>in</strong> tallWild grass, have you forgotHow her lips loved to kiss me,Now that <strong>the</strong>y kiss me not.Be false or fair above me,Come back with any face,Summer!—do I care what you do?You cannot change one place—The grass, <strong>the</strong> leaves, <strong>the</strong> earth, <strong>the</strong> dew,The grave I make <strong>the</strong> spot—Here, where she used to love me,Here, where she loves me not.James Thomson's City of Dreadful Night <strong>was</strong> first published,<strong>in</strong> a journal, <strong>in</strong> 1874. Thomson <strong>was</strong> a poet of veryuncerta<strong>in</strong> atta<strong>in</strong>ment. His shorter lyrical pieces areseldom if ever better than second-rate. It is not that <strong>the</strong>yare weak imitations of o<strong>the</strong>r men's work, but that <strong>the</strong>ycome from an <strong>in</strong>sufficient impulse. Many admirablepoets have suffered from misfortune, ill-health, and evendefects of habit and character, and have yet managed toreserve for <strong>the</strong>ir poetry some energy uncontam<strong>in</strong>ated by<strong>the</strong>se <strong>in</strong>fluences. Thomson <strong>was</strong> less just to himself, andwrote much of his verse when his hold upon experience<strong>was</strong> <strong>in</strong>firm. The consequence is a certa<strong>in</strong> triviality ofspirit, which leaves his lyrics for <strong>the</strong> most part povertystrickenand tame. And yet that <strong>the</strong>re <strong>was</strong> <strong>in</strong> him, how-

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