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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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58 Walter de la MareChannel Islands. Bluestock<strong>in</strong>gs <strong>in</strong> those days, we aretold also, wore a fr<strong>in</strong>ge and spelt humanity with a big H.Clement<strong>in</strong>a's lively appearance does not suggest anyth<strong>in</strong>gvery formidable. She has reddish brown eyes,reddish brown hair with a golden t<strong>in</strong>t 'probably due toAuricomus Fluid at twenty-one shill<strong>in</strong>gs and sixpence abottle', very black lashes and eyebrows, aided it may beby 'antimony and a pencil', and she is wear<strong>in</strong>g for awalk along <strong>the</strong> sea-shore 'a skirt, O, so narrow that itwould take a <strong>year</strong>'s study to learn to walk <strong>in</strong> it at all;a fan-shaped tra<strong>in</strong> carried over one arm', and a Mo<strong>the</strong>rHubbard hat.The New Woman, though, maybe, as yet unlabelled,<strong>was</strong> not unknown. She, too, <strong>in</strong> <strong>the</strong> guise of a 'writ<strong>in</strong>gwoman' named Mattie Rivers, appears <strong>in</strong> <strong>the</strong> same novelas ' <strong>the</strong> customary accessory' of a smart yacht<strong>in</strong>g cruise.She is described as 'an emancipated sister of twentyn<strong>in</strong>e,with a cavalier hat worn dist<strong>in</strong>ctly... over one ear,a rakish-look<strong>in</strong>g double eye-glass, a cane... a palpableodour of Havana smoke cl<strong>in</strong>g<strong>in</strong>g to her gentlemanlyyacht<strong>in</strong>g-jacket, and short-clipped, gentlemanly hair'.But even if <strong>the</strong> Havana smoke <strong>was</strong> of her own mak<strong>in</strong>g,<strong>the</strong> heralds of <strong>the</strong> Keynote Series were <strong>in</strong> Mattie's daystill <strong>in</strong> <strong>the</strong>ir nurseries, only play<strong>in</strong>g with pen and <strong>in</strong>k, andit <strong>was</strong> not until <strong>the</strong> end of <strong>the</strong> century that <strong>the</strong> ' sex-problem'—dismallest, surely, of all drab phrases—had become,accord<strong>in</strong>g to Mrs Oliphant, '<strong>the</strong> chief occupation offiction', and that Mrs L<strong>in</strong>ton could refer to 'unveiledpresentations of <strong>the</strong> sexual <strong>in</strong>st<strong>in</strong>cts which seem to make<strong>the</strong> world one large lupanar'—a term which I <strong>was</strong> relievedto f<strong>in</strong>d no trace of <strong>in</strong> The {Concise) Oxford Dictionary.However that may be, <strong>the</strong> novels written by women<strong>in</strong> <strong>the</strong> 'seventies were still for <strong>the</strong> most part ei<strong>the</strong>r lovestories, not very subtle, perhaps, but simple, and notusually sensuous, or passionate; or <strong>the</strong>y were tales like

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