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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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190 Harley Granville-Barkerdoes not run <strong>in</strong> search of obstructions, to be noisy over <strong>the</strong>m: butwhere dead leaves and viler substances are heaped along <strong>the</strong> course,its natural song is heightened. Without effort, and with nodazzl<strong>in</strong>g flashes of achievement, it is full of heal<strong>in</strong>g; <strong>the</strong> wit ofgood breed<strong>in</strong>g, <strong>the</strong> wit of wisdom.Strange qualities are <strong>the</strong>y, for <strong>the</strong> author of One of ourConquerors and Lord Ormont and his Am<strong>in</strong>ta to admire?There is <strong>the</strong> po<strong>in</strong>t: he did admire <strong>the</strong>m (who does not?)and strove after <strong>the</strong>m (aga<strong>in</strong> who does not?) as best hecould. The notion that such men as Meredith are wilfully,mischievously obscure is an impert<strong>in</strong>ence. They havemuch to express and, left with <strong>the</strong>mselves for an audience,<strong>the</strong> pla<strong>in</strong> th<strong>in</strong>g seems hardly worth say<strong>in</strong>g, for it is knownalready. But let Meredith <strong>the</strong> talker start a bright idea,Meredith <strong>the</strong> listener will set him ref<strong>in</strong><strong>in</strong>g it, and ref<strong>in</strong><strong>in</strong>gaga<strong>in</strong>, twist<strong>in</strong>g it this way and that till it is runn<strong>in</strong>g exhausted<strong>in</strong> a circle—a vicious circle—and, expressed atlast, may drop dead. This is <strong>the</strong> danger run by all men ofteem<strong>in</strong>g m<strong>in</strong>ds, driven <strong>in</strong> on <strong>the</strong>mselves by neglect. Theeasy popularity of <strong>the</strong> <strong>the</strong>atre br<strong>in</strong>gs worse dangers,heaven knows! He <strong>was</strong> little likely to have been caught<strong>in</strong> <strong>the</strong>se. See how he works and works for his privatesatisfaction on this fragment that <strong>was</strong> never to see <strong>the</strong>light. But <strong>the</strong> <strong>the</strong>atre compels a man at least to <strong>the</strong>virtues of lucidity, of simplicity, of economy. There is <strong>the</strong>audience of average men and women, and you must makeyour mean<strong>in</strong>g clear to <strong>the</strong>m as you go along.And <strong>in</strong> los<strong>in</strong>g Meredith, what did <strong>the</strong> <strong>the</strong>atre lose? Nogreat <strong>in</strong>fluence upon its course, perhaps. By <strong>the</strong> 'seventies<strong>the</strong> play of artifice had had its day; <strong>the</strong> ground <strong>was</strong>fallow and ready for Ibsen and <strong>the</strong> 'naturalists' when<strong>the</strong>y came. He would have stood <strong>in</strong> drama as <strong>in</strong> fiction,brilliantly alone! Very much, probably, as <strong>in</strong> Frenchdrama Rostand stands to-day; and Rostand is a child<strong>in</strong> artistic force beside him. He would have owned,perhaps, to k<strong>in</strong>ship with Congreve; but not cordially. He

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