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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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50 Walter de la MareIn space our <strong>the</strong>me is conf<strong>in</strong>ed to <strong>the</strong> British Isles, andthat is fairly simple. It is <strong>in</strong> respect to <strong>the</strong> arbitrarydivision <strong>in</strong> time and still more to <strong>the</strong> division <strong>in</strong> k<strong>in</strong>dimposed by it that difficulties abound. Even <strong>in</strong> historya decade is no more than a convenience, a fold whosehurdles prove extremely defective, and even when factsare <strong>the</strong> only sheep. But authors and books—it is impossibleto segregate objects once so lively as easily asthat. Its date of publication is hardly even a book'sbirthday. That <strong>was</strong> when <strong>in</strong> one of <strong>the</strong> closest privaciesknown to man its first words appeared on paper. The seedof it may have been quicken<strong>in</strong>g <strong>in</strong> timeless dreams forhalf a lifetime.Ten <strong>year</strong>s of childhood, too, not only <strong>in</strong> mere appearanceof duration, surpass a hundred of maturity, but have more<strong>in</strong>fluence on <strong>the</strong> m<strong>in</strong>d and imag<strong>in</strong>ation than any thatfollow. Next <strong>in</strong> virtue of <strong>in</strong>fluence are <strong>the</strong> <strong>year</strong>s of aman's youth. These are <strong>the</strong> well-spr<strong>in</strong>g of his after-life.' By <strong>the</strong>ir fruits ye shall know <strong>the</strong>m', but it <strong>was</strong> <strong>the</strong> seasonof blossom<strong>in</strong>g that set those fruits to ripen. It is, too,what goes on <strong>in</strong> ourselves ra<strong>the</strong>r than what goes on <strong>in</strong><strong>the</strong> outer world that makes our days significant. Its nearand dear, its detested and its little usually affect us muchmore than its far, its multitud<strong>in</strong>ous and its large. We buynewspapers, first to scan, and <strong>the</strong>n to light our fires with.The work of every writer <strong>the</strong>refore varies <strong>in</strong> qualityand mean<strong>in</strong>g and value at different times of his life; itslast state may be worse than its first. But <strong>the</strong> greater heis as an artist, so much <strong>the</strong> more signally, with<strong>in</strong> certa<strong>in</strong>limits, is that work <strong>the</strong> revelation of his own m<strong>in</strong>d andspirit. The creative impulse, <strong>the</strong> visit<strong>in</strong>g spirit, is essential.His external surround<strong>in</strong>gs, to whatever degree <strong>the</strong>y mayaffect him, are by comparison of lesser account. Whatcuriously diverse and <strong>in</strong>dividual reflections of <strong>the</strong>'seventies, for example, are Literature and Dogma, The

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