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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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184 Harley Granville-Barkerno <strong>in</strong>terest <strong>in</strong> <strong>the</strong> art of <strong>the</strong> <strong>the</strong>atre for its own sake? Hadtwo movements of a Mozart quartet been snatched fromoblivion, how amateurs and critics would have descantedon <strong>the</strong>m, study<strong>in</strong>g every page, every bar! Yet h£re <strong>was</strong><strong>the</strong> one piece of dramatic work done by a great man justdead, a master of character and wit, of prose and verse,and it <strong>was</strong> casually appraised at its mere enterta<strong>in</strong>mentvalue. Did Meredith's ghost sit sardonically chuckl<strong>in</strong>g<strong>in</strong> <strong>the</strong> author's box, ask<strong>in</strong>g what <strong>the</strong> devil one had takenall <strong>the</strong> trouble for? Not displeased, though, to see <strong>the</strong>sefigures of his fancy brought to life, and <strong>in</strong> <strong>the</strong> glamour of<strong>the</strong> footlights! But he had said his say upon <strong>the</strong> matterlong before. We turn back to <strong>the</strong> essay:In all countries <strong>the</strong> middle class presents <strong>the</strong> public which,fight<strong>in</strong>g <strong>the</strong> world, and with a good foot<strong>in</strong>g <strong>in</strong> <strong>the</strong> fight, knows <strong>the</strong>world best....Of this class <strong>in</strong> England, a large body, nei<strong>the</strong>r Puritan norBacchanalian, have a sentimental objection to face <strong>the</strong> study of<strong>the</strong> actual world. They take up disda<strong>in</strong> of it, when its truths appearhumiliat<strong>in</strong>g: when <strong>the</strong> facts are not immediately forced on <strong>the</strong>m,<strong>the</strong>y take up <strong>the</strong> pride of <strong>in</strong>credulity. They live <strong>in</strong> a hazy atmospherethat <strong>the</strong>y suppose an ideal one... .Philosopher and Comicpoet are of a cous<strong>in</strong>ship <strong>in</strong> <strong>the</strong> eye <strong>the</strong>y cast on life: and <strong>the</strong>y areequally unpopular with our wilful English of <strong>the</strong> hazy region and<strong>the</strong> ideal that is not to be disturbedThus, for want of <strong>in</strong>struction <strong>in</strong> <strong>the</strong> Comic idea, we lose a largeaudience among our cultivated middle class that we should expectto support Comedy, <strong>the</strong> sentimentalist is as averse as <strong>the</strong> Puritanand as <strong>the</strong> Bacchanalian.There <strong>was</strong> <strong>the</strong> very <strong>the</strong>me of <strong>the</strong> comedy he began towrite, <strong>the</strong>re <strong>was</strong> <strong>the</strong> reason that he never troubled tof<strong>in</strong>ish it; <strong>the</strong>re, <strong>in</strong> <strong>the</strong> <strong>the</strong>atre for a few nights, thirty<strong>year</strong>s or so later, sat <strong>the</strong> cultivated middle class—respectfully bored, most of <strong>the</strong>m, doubtless.Our traditions are unfortunate <strong>in</strong>deed if we cannotbr<strong>in</strong>g some imag<strong>in</strong>ation to <strong>the</strong> mak<strong>in</strong>g of this morsel ofgenius (for it is noth<strong>in</strong>g less) complete enough for enjoyment.Have we not humour enough to see <strong>the</strong> humour

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