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194 Frederick S. Boaspapers falls therefore within this survey and they arefavourable examples of Hutton's critical art. I doubtindeed if there are better introductions anywhere to thepoetry of Clough and Matthew Arnold, and I still remembergratefully the thrill that I got in my Balliol daysfrom these appreciations of the two distinctively Balliolpoets. Both of them gave scope for Hutton's intimatepsychological analysis. He who had found anchor in aliberal orthodoxy could enter into, and yet stand apartfrom, their doubts and questionings. Here is part of hisvivid mental portrait of Clough:So eager was his craving for reality and perfect sincerity, somorbid his dislike even for the unreal conventional forms of lifethat a mind quite unique in simplicity and truthfulness representsitself in his poems as* Seeking in vain, in all my store,One feeling based on truth.'Indeed he wanted to reach some guarantee for simplicity deeperthan simplicity itself. ...This almost morbid craving for a firm base on the absoluterealities of life was very wearying to a mind so self-conscious asClough's, and tended to paralyse the expression of a certainlygreat genius. As a rule, his lyrical poems fall short of completesuccess in delineating the mood which they are really meant todelineate, owing to this chronic state of introspective criticism onhimself in which he is apt to write, and which, characteristic as itis, necessarily diminishes the linearity and directness of the feelingexpressed, refracting it, as it were, through media of very variabledensity.His description later of Clough as 'a modern and intellectualisedChaucer', suggested by the tales in In MariMagno, strikes one as somewhat of a tour deforce, and thequotations given in support scarcely prove the case. Noris anything said of Clough's metrical technique, as in hisuse of the hexameter in The Bothie and elsewhere. Butthe essay is a permanent memorial of the impact ofClough's complete output in verse and prose, published
Critics and Criticism in the 'Seventies 195posthumously, on one of the most sensitive minds of hisage.The essay on the poetry of Matthew Arnold is more fullyworked out and in it, as I think, Hutton reaches hiscritical high-water mark. In his perspective of the influenceson Arnold, Goethe and Wordsworth are somewhatunduly stressed as compared with the Greeks, buthis interpretation of the poet's distinctive position amonghis contemporaries shows piercing insight :Mr Arnold's poems are one long variation on a single theme,the divorce between the soul and the intellect, and the depth ofspiritual regret and yearning which that divorce produces. Yetthere is a didactic keenness with the languor, an eagerness ofpurpose with the despondency, which give half the individualflavour to his lyrics. A note of confidence lends authority to hisscepticism; the tone of his sadness is self-contained, sure, and evenimperious, instead of showing the ordinary relaxation of loss.From such relaxation Arnold is preserved in large partby the fortifying influence of Nature. There is nothingbetter in the essay than the subtle discrimination betweenArnold's attitude to Nature and that of Wordsworth,Shelley, Byron and Tennyson, and the more unlooked forcomparison with Gray:He paints Nature, like the author of The Elegy in a CountryChurchyard, with the cool, liquid, rather weary tone of one whocomes to the scenery to take a heart from it, instead of giving theheart to it; but he does it with infinitely more of the moderntenderness and insight for Nature than Gray possessed, and withfar more flowing and continuous descriptive power.But with all Hutton's insight into Arnold's high poeticachievement, he lays his finger on his fundamentallimitation:When I come to ask what Mr Arnold's poetry has done for thisgeneration, the answer must be that no one has expressed morepowerfully and poetically its spiritual weaknesses, its craving fora passion that it cannot feel, its admiration for a self-mastery thatit cannot achieve, its desire for a creed that it fails to accept, itssympathy with a faith that it will not share, its aspiration for a13-2
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The Eighteen-Seventies
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The Eighteen-SeventiesEssays by Fel
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ContentsPreface . . . . . . . p. vi
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viiiPrefacedecidedly down on their
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XPrefaceIt very often is; and it wi
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xiiPrefacewould be a far more inspi
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xivPrefaceWith the two authentic pi
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2 The Marquess of Creweher journal
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4 The Marquess of Crewedashed to th
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6 The Marquess of CreweBut here, fo
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8 The Marquess of Creweoffenders, a
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10 The Marquess of Crewecountry squ
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12 The Marquess of CreweBesides tho
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14 The Marquess of Crewearchaeology
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16 The Marquess of Creweintimate wi
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18 The Marquess of Crewetogether wi
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20 The Marquess of Crewehis usual s
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*•••
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24 Hugh Walpolethe author of Orland
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26 Hugh Walpolecompanion, Scott the
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28 Hugh WalpoleBut it may be that t
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30 Hugh Walpolenaturally divides. T
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32 Hugh Walpolevery good reasons. O
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34 Hugh Walpolereinvestigation of m
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36 Hugh Walpole'Alas! poor soul,' s
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38 Hugh Walpolehow is the novelist
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40 Hugh Walpole'The fact is,' said
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42 Hugh Walpolehimself in the river
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44 Hugh Walpoleinevitable without b
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46 Walter de la MareWhat was its ge
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48 Walter de la Marethe train from
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50 Walter de la MareIn space our th
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52 Walter de la MareNovelists, too,
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54 Walter de la Marehow the wild we
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56 Walter de la MareDangerous Ages,
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58 Walter de la MareChannel Islands
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60 Walter de la Marenefarious finge
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62 Walter de la Mareescaped from Ap
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64 Walter de la Marethough he may b
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66 Walter de la Maresense of the wo
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68 Walter de la Marebe cumulatively
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70 Walter de la Mareconscious, the
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72 Walter de la Marecompany. This a
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74 Walter de la Marerichly but ligh
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76 Walter de la Marekindly, deteste
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78 Walter de la Maregas, like water
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§4'•••«•••>•>«•
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82 George Saintsburyedgedness of th
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84 George Saintsburytwo—could fai
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86 George Saintsburyarticles. I hav
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88 George SaintsburyOdyssey which h
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90 George Saintsburybook deserved m
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92 George Saintsburyone at least te
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94 George Saintsburyhim: and I am e
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§5The Poetry of the 'SeventiesBy J
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98 John Drinkwatershould readily re
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100 John Drinkwater'seventies and a
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102 John Drinkwaterin a positive cl
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104 John DrinkwaterAnd it is just b
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106 John Drinkwaterthe best English
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108 John DrinkwaterThe skies seem'd
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110 John DrinkwaterFour ducks on a
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112 V. Sackville-Westwere women—t
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114 V. Sackville-Westdid not approv
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116 V. Sackville-Westproperty, inst
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118 V. Sackville-Westjudgment, wort
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120 V. Sackville-Westgenius had nev
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122 V. Sackville-WestAnd Louisa Gug
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124 V. Sackville-WestHere's cause:
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126 V. Sackville-WestThy circles of
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128 V. Sackville-Westespecially of
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130 V. Sackville-WestThe winds had
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132 V. Sackville-Westof their day.
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134 Sir Arthur Pinero1829. He came
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136 Sir Arthur Pinerocontributed to
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138 Sir Arthur Pineroquently styled
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140 Sir Arthur Pinerothe drama were
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140 Sir Arthur Pinerothe drama were
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142 Sir Arthur Pineroto grapple wit
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144 Sir Arthur Pinerothe company of
Page 168 and 169: 146 Sir Arthur Pineropresume to inq
Page 170 and 171: 148 Sir Arthur PineroWhose name, in
Page 172 and 173: 150 Sir Arthur PineroVaudeville cur
Page 174 and 175: 152 Sir Arthur PineroAh, my loved s
Page 176 and 177: 154 Sir Arthur Pineroness for the s
Page 178 and 179: 156 Sir Arthur Pinerothe audience o
Page 180 and 181: 158 Sir Arthur PineroGenial, warm-h
Page 182 and 183: 160 Sir Arthur Pinerohorizon... gli
Page 184 and 185: 162 Harley Granville-Barkeraccount
Page 186 and 187: 164 Harley Granville-Barkerlong—w
Page 188 and 189: 166 Harley Granville-BarkerShakespe
Page 190 and 191: 168 Harley Granville-BarkerOr for m
Page 192 and 193: 170 Harley Granville-Barkerwhich wa
Page 194 and 195: 172 Harley Granville-Barkerrhetoric
Page 196 and 197: 174 Harley Granville-BarkerThe ligh
Page 198 and 199: 176 Harley Granville-Barkerwrites,
Page 200 and 201: 178 Harley Granville-Barkeralone to
Page 202 and 203: 180 Harley Granville-BarkerTheir so
Page 204 and 205: 182 Harley Granville-BarkerOur tena
Page 206 and 207: 182 Harley Granville-BarkerOur tena
Page 208 and 209: 184 Harley Granville-Barkerno inter
Page 210 and 211: 186 Harley Granville-Barkerlead me
Page 212 and 213: 188 Harley Granville-Barkerdestined
Page 214 and 215: 190 Harley Granville-Barkerdoes not
Page 216 and 217: §9Critics and Criticism in the'Sev
Page 220 and 221: 196 Frederick S. Boaspeace that it
Page 222 and 223: 198 Frederick S. Boasand accusing h
Page 224 and 225: 200 Frederick S. Boas' noble compan
Page 226 and 227: 202 Frederick S. Boasaltogether int
Page 228 and 229: 204 Frederick S. Boasgave him the m
Page 230 and 231: 206 Frederick S. BoasIn a rhythm of
Page 232 and 233: 208 Frederick S. Boasgrowth of his
Page 234 and 235: §10Oxford in the 'SeventiesBy R W.
Page 236 and 237: 212 R. W. Macanfields within the pr
Page 238 and 239: 214 R. W. Macanand commercial sky-s
Page 240 and 241: 216 R. W. MacanBut, albeit 'Reform
Page 242 and 243: 218 R. W. Macanare and do what they
Page 244 and 245: 220 R. W. Macanof the good intentio
Page 246 and 247: 222 R. W. Macanfor which Oxford had
Page 248 and 249: 224 R. W. Macanpublished in book fo
Page 250 and 251: 226 R. W. Macantion of Faculties or
Page 252 and 253: 228 R. W. Macanperiod. The institut
Page 254 and 255: 230 R. W. Macancomplexion are great
Page 256 and 257: 232 R. W. MacanEngland issued from
Page 258 and 259: 234 R. W. Macanhad been until 1854,
Page 260 and 261: 236 R. W. Macanidealism by the youn
Page 262 and 263: 238 R. W. Macansole woman present,
Page 264 and 265: 240 R. W. Macanhear his Inaugural L
Page 266 and 267: 242 R. W. Macanslightly later date
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244 R. W. Macanexciting moiety in t
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246 R. W. Macanmonths later, he ina
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248 R. W, Macanthe three points whi
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250 W. E. Heitlandby a junior Fello
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252 W. E. Heitlandadministration of
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254 W. E. Heitlandstalwarts. A good
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256 W. E. HeitlandThe author 1 was
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258 W. E. Heitlandness from men of
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260 W. E. Heitlandinviting his gyp
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262 W. E. HeitlandProfessorial syst
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264 W. E. HeitlandProfessor-ridden
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266 W. E. Heitlandevery one present
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268 W. E. HeitlandThe Latin Profess
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270 W. E. Heitlandwas chiefly known
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272 W. E. Heitlandment of normal Do
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274 IndexBoas, Frederick S., ch.ix
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276 IndexDonne, John, 87Donnizetti,
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278 IndexHoughton, Lord (cont.)More
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280 IndexMoore, George, 48Morgan, H
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282 IndexRomani ,Felice,146 ;Elisir
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284 IndexVatican Decrees, 234, 285V
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