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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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86 George Sa<strong>in</strong>tsburyarticles. I have sometimes been sorry that <strong>the</strong> doubleentry did not <strong>the</strong>n prevail: for <strong>the</strong> contrast-comb<strong>in</strong>ation<strong>in</strong> Lang's case would have been very remarkable, andmight have 'set' <strong>the</strong> idiosyncrasy of <strong>the</strong> writer with auseful decision at an early period, before <strong>the</strong> read<strong>in</strong>gworld. As it <strong>was</strong> <strong>the</strong> world read <strong>the</strong> articles with eagernessas <strong>the</strong>y appeared and <strong>the</strong>n forgot all about <strong>the</strong>m <strong>in</strong>dividually,while ra<strong>the</strong>r neglect<strong>in</strong>g <strong>the</strong> verse which iscerta<strong>in</strong>ly not negligible.Probably few people have had a better right to claim,as though <strong>in</strong> different words he did claim, <strong>the</strong> benefit ofAnne Evans's great def<strong>in</strong>ition of humour,' th<strong>in</strong>k<strong>in</strong>g <strong>in</strong> jestbut feel<strong>in</strong>g <strong>in</strong> earnest', than Lang: but <strong>the</strong>' feel<strong>in</strong>g' nevergot proper recognition. Its verse expression <strong>was</strong> somewhatunlucky <strong>in</strong> po<strong>in</strong>t of time. There is not very much <strong>in</strong>this particular book, though some of <strong>the</strong> translationsnecessarily employ it, of <strong>the</strong> formal French versificationwhich a little later became so common from his and o<strong>the</strong>rhands: but <strong>the</strong> whole is more or less of that pre-Raphaelitecolour which <strong>was</strong> hav<strong>in</strong>g its day if it had not fully had it,and much more than less of that great school of n<strong>in</strong>eteenth-centurypoetry which after start<strong>in</strong>g under Keatsand Shelley, and restart<strong>in</strong>g after a short <strong>in</strong>terval underTennyson and Brown<strong>in</strong>g had, with no <strong>in</strong>terval at all,taken <strong>the</strong> pre-Raphaelite turn.Now fashion (which if not exactly a synonym for ' day'is closely connected with it), though not necessarily ei<strong>the</strong>ra bad or a good th<strong>in</strong>g, is well known to have perhapsmore bad than good effects and consequences. Howevergood it is <strong>in</strong> itself it can be exaggerated or caricatured,and by unskilful imitation turned to bad. If it is bad <strong>in</strong>itself, why it is bad, and <strong>the</strong>re's no more to be said.Whatever its <strong>in</strong>tr<strong>in</strong>sic quality, people are apt to get tiredof it to its own unfair disadvantage; or to make mistakesabout o<strong>the</strong>r th<strong>in</strong>gs which are not <strong>the</strong> fashion or, worst of

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