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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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72 Walter de la Marecompany. This awareness cannot depend on any lack ofartistry s<strong>in</strong>ce, surely, it is never absent when Jane Austenis delight<strong>in</strong>g us with her company. It has a subtle andpervasive effect extremely difficult to def<strong>in</strong>e. RhodaBroughton—vivid, impulsive, romantic, satirical; MrsOliphant—cultured, fervent yet amused, courageous andaustere; Mrs Lynn L<strong>in</strong>ton—mordant, daunt<strong>in</strong>g, cold;Mrs Alexander—sympa<strong>the</strong>tic, equable, just, tenderhearted;Jessie Fo<strong>the</strong>rgill—earnest, reserved, aspir<strong>in</strong>g, alittle stilted; Mrs Annie Edwardes—bold, acute, worldly;Ouida—witty, cynical, flighty, odd; Rosa Carey—observant,sentimental, scrupulous, lover of scene and season;Jean Ingelow—oddly unreal, meander<strong>in</strong>g, but with occasionalgl<strong>in</strong>ts of penetrat<strong>in</strong>g imag<strong>in</strong>ation—mere glimpsesall of <strong>the</strong>m, and of but a few of many, and on how slendera foundation. But how <strong>in</strong> a few words convey <strong>the</strong> phantomof personality, which <strong>in</strong> every one of us has so manystrands, as it disengages itself from a piece of pure <strong>in</strong>ventionconcerned with imag<strong>in</strong>ary scenes and characters,and whose <strong>in</strong>fluence when it is entirely unpremeditatedis only <strong>the</strong> more effective.But apart from this various and often delightful companionshipand apart from all pleasures and <strong>in</strong>terests ofa literary k<strong>in</strong>d that await <strong>the</strong> reader of this bygonefiction, it affords ano<strong>the</strong>r diversion—and one which <strong>was</strong>certa<strong>in</strong>ly not aimed at by its writers. At <strong>the</strong> merethought of it, <strong>in</strong>deed, <strong>the</strong> busy pen might at once havefallen idle from <strong>the</strong> nerveless f<strong>in</strong>gers. None <strong>the</strong> less, alas,it may possibly prove <strong>the</strong> most enterta<strong>in</strong><strong>in</strong>g—<strong>the</strong> charm,that is, and <strong>the</strong> illum<strong>in</strong>ation afforded by <strong>the</strong> old-fashioned.Here it is <strong>the</strong> realist, <strong>the</strong> copyist, who suffers most, or atany rate suffers most for <strong>the</strong> time be<strong>in</strong>g. Centuries hence<strong>the</strong> antiquarian may fall upon his work as if it were <strong>the</strong>funeral memorials of a Tutankhamen. After an <strong>in</strong>tervalof fifty <strong>year</strong>s its appearance is merely odd and queer and

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