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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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The Theatre <strong>in</strong> <strong>the</strong> 'Seventies 145W. S. Gilbert, <strong>in</strong> later life Sir William Gilbert, renownedfor his share, with Arthur Sullivan, <strong>in</strong> what areknown as <strong>the</strong> Savoy operas, <strong>was</strong> <strong>born</strong> <strong>in</strong> 1836 and <strong>was</strong><strong>the</strong>refore younger than Robertson by seven <strong>year</strong>s. Hetook <strong>the</strong> degree of Bachelor of Arts at London University,<strong>was</strong> a clerk <strong>in</strong> <strong>the</strong> Privy-council office from 1857 to 1862,and <strong>in</strong> 1864 <strong>was</strong> called to <strong>the</strong> bar. He turned his legalexperience to good account subsequently by writ<strong>in</strong>g alittle masterpiece, for which Sullivan composed <strong>the</strong> music,called Trial by Jury. Wait<strong>in</strong>g for <strong>the</strong> growth of a practice—a quest he soon abandoned—he contributed to <strong>the</strong>magaz<strong>in</strong>es, and <strong>was</strong> on <strong>the</strong> staff of Fun, a comic journal<strong>in</strong> whose columns his Bab Ballads were first published.These ballads had been offered to Punch and had beenrefused—a slight which Gilbert never forgave. Gilbert,though a generous man, if tackled <strong>in</strong> <strong>the</strong> right way, <strong>was</strong>not perhaps of <strong>the</strong> most forgiv<strong>in</strong>g disposition. An oldstory tells us that long after <strong>the</strong> rejection of <strong>the</strong> earlierBab Ballads by Punch he <strong>was</strong> one of a d<strong>in</strong>ner-party which<strong>in</strong>cluded Francis Cowley Burnand, <strong>the</strong>n Mr Punch's editor.' All <strong>the</strong> good th<strong>in</strong>gs are sent to Punch,' remarked Burnand,<strong>in</strong> <strong>the</strong> course of conversation at table. ' Then why do<strong>the</strong>y appear?' snapped Gilbert. A peculiarity of Glibeexquisite humorist as he <strong>was</strong>, <strong>was</strong> that he <strong>was</strong> aptexceed<strong>in</strong>gly tetchy, even over trifles, <strong>in</strong> matters affechis personal dignity. He once compla<strong>in</strong>ed to mquerulous tones of <strong>the</strong> rudeness of a barber who canhis house to cut his hair. 'What do you th<strong>in</strong>k <strong>the</strong>pert<strong>in</strong>ent fellow dared to ask me', said Gilbert, whvoice rose to a treble <strong>in</strong> anger, '"when are we to expeanyth<strong>in</strong>g fur<strong>the</strong>r, Mr Gilbert, from your fluent pen?"'What do you mean, sir,' said Gilbert to <strong>the</strong> well-<strong>in</strong>tentionedbut unfortunate barber—'what do you meanby "fluent pen"? There is no such th<strong>in</strong>g as a fluent pen.A pen is an <strong>in</strong>sensible object. And, at any rate, I don'tB 10

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