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R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

R,CHARD MONCKTON MILNES was born in the year - OUDL Home

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The Women Poets of <strong>the</strong> 'Seventies 123like so much orange-peel and spume, from <strong>the</strong> pages ofIntroductory Notes, and critical Forewords, <strong>in</strong> <strong>the</strong> mannerof such facts, tell<strong>in</strong>g one really noth<strong>in</strong>g at all—how should<strong>the</strong>y?—about <strong>the</strong> girl who lived on board <strong>the</strong> Griper <strong>in</strong>,I suppose, 1850, or about <strong>the</strong> fa<strong>the</strong>r who had won such areputation for sav<strong>in</strong>g shipwrecked seamen. One wouldlike to make up a preparation for <strong>the</strong> future poetess, outof such beg<strong>in</strong>n<strong>in</strong>gs; but <strong>in</strong>stead of that, several more factscome rapp<strong>in</strong>g out: that she studied <strong>the</strong> classical authors,notably <strong>the</strong> Greek dramatists; made translations fromAeschylus and Euripides: <strong>was</strong> a member of <strong>the</strong> LondonSchool Board; married Mr Thomas Webster, a solicitor,at <strong>the</strong> age of twenty-six; and collected her essays <strong>in</strong>to avolume of prose called A Housewife's Op<strong>in</strong>ions, whichconta<strong>in</strong>ed a great deal of useful advice. To <strong>the</strong>se facts onemay add some observations of one's own: that she hadread and admired Mr Brown<strong>in</strong>g, and that she <strong>was</strong> notafraid of express<strong>in</strong>g herself <strong>in</strong> pla<strong>in</strong> language on even <strong>the</strong>more delicate subjects; 'if a fault can be found,' said oneof her annotators, ' it is that <strong>the</strong> del<strong>in</strong>eation of Woman'sheart <strong>in</strong> <strong>the</strong> most appall<strong>in</strong>g condition of Woman's life istoo pa<strong>in</strong>ful'. Her volume of poems, which appeared <strong>in</strong>1870 under <strong>the</strong> title Portraits, does <strong>in</strong>deed conta<strong>in</strong> somedownright speak<strong>in</strong>g; I will read you a few l<strong>in</strong>es from <strong>the</strong>poem called The Castaway, <strong>in</strong> which you will not fail tonotice <strong>the</strong> <strong>in</strong>fluence that Brown<strong>in</strong>g had had on her. Thespeaker is a girl <strong>in</strong> trouble:Well, well, I know <strong>the</strong> wise ones talk and talk:'Here's cause, here's cure'; 'No, here it is, and here';And f<strong>in</strong>d society to blame, or law,<strong>the</strong> church, <strong>the</strong> men, <strong>the</strong> women, too few schools,too many schools, too much, too little taught;somewhere or somehow someone is to blame:but I say all <strong>the</strong> fault's with God himselfwho put too many women <strong>in</strong> <strong>the</strong> world.We ought to die off reasonably, and leaveas many as <strong>the</strong> men want, none to <strong>was</strong>te.

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