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What do students know and understand about the Holocaust?

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88<br />

Encountering representations of <strong>the</strong> <strong>Holocaust</strong><br />

survivors around who are still living says to us, ‘No<br />

we are not talking <strong>about</strong>, you <strong>know</strong>, eleven hundred<br />

in Yorkshire or whatever, or <strong>the</strong> blood libel. We are<br />

talking <strong>about</strong> really recent history, you <strong>know</strong>’. That<br />

makes people think that it is relevant to <strong>the</strong>m <strong>and</strong><br />

immediate <strong>and</strong> something that <strong>the</strong>y need to look at.<br />

(Natalie, Year 12, LON2)<br />

Different survivors, with different stories <strong>and</strong><br />

different approaches to sharing <strong>the</strong>ir testimony,<br />

capture <strong>students</strong>’ attention in different ways. Different<br />

spaces inside or outside of school, be <strong>the</strong>y large<br />

assemblies or smaller meetings, sometimes in local<br />

synagogues or community centres, encouraged<br />

different modes of interaction with <strong>the</strong> speakers <strong>and</strong><br />

o<strong>the</strong>r members of <strong>the</strong> audience. However, it was<br />

clear that <strong>the</strong> embodied presence of <strong>the</strong> witness –<br />

<strong>the</strong>ir actually being <strong>the</strong>re – was an important part<br />

of <strong>the</strong> experience beyond simply <strong>the</strong> transfer of<br />

information, or even <strong>the</strong> telling of stories. Young<br />

people spoke of listening to a survivor in person as<br />

a powerful, edifying, affective experience:<br />

…<strong>and</strong> it gives you a different feeling, compared to<br />

when you, like, read something or when you’re told<br />

<strong>about</strong> something by someone who wasn’t really<br />

<strong>the</strong>re, it wasn’t like … it just has, like, a different<br />

sense of feeling, because she was actually <strong>the</strong>re,<br />

<strong>and</strong> she was st<strong>and</strong>ing in front of us, telling us<br />

<strong>about</strong> it (Malcolm, Year 12, LON1).<br />

I think it is when like you can see <strong>the</strong>m you <strong>know</strong><br />

you are, like, in <strong>the</strong> same room as <strong>the</strong>m, you <strong>know</strong><br />

that <strong>the</strong>y are saying it from <strong>the</strong>ir story, like, you<br />

can see <strong>the</strong> emotion on <strong>the</strong>ir face, <strong>the</strong> tone of <strong>the</strong>ir<br />

voice, you can tell by <strong>the</strong>ir emotions. Whereas in a<br />

video, like, or anything else, you are not that faceto-face<br />

kind of thing, you are not in that intimacy of<br />

like what actually happened (Fred, Year 9, YH1).<br />

Yeah, I feel, like, personally, like, quite honoured<br />

to be able to hear <strong>the</strong>m in person. Because <strong>the</strong>re<br />

is a difference between, like, hearing it on a<br />

video <strong>and</strong> actually being in <strong>the</strong> same room<br />

(Simon, Year 9, LON2).<br />

Many <strong>students</strong> found <strong>the</strong> experience humbling<br />

<strong>and</strong> expressed how touched <strong>the</strong>y were by <strong>the</strong><br />

positivity of <strong>the</strong> <strong>Holocaust</strong> survivor in spite of his or<br />

her catastrophic past <strong>and</strong> of <strong>the</strong> emotional disorder<br />

that ensued:<br />

Even at <strong>the</strong> end he still managed to make jokes<br />

<strong>about</strong> his life <strong>and</strong> his wife <strong>and</strong> it was really funny <strong>and</strong><br />

I was crying <strong>and</strong> laughing … It was so inspirational<br />

<strong>and</strong> moving <strong>about</strong> how he managed to survive<br />

through that terrible time (S<strong>and</strong>ra, Year 9, YH1).<br />

Ra<strong>the</strong>r than find that listening to trauma was<br />

traumatic, <strong>the</strong> experience aroused in respondents<br />

a heightened feeling of self-awareness <strong>and</strong><br />

momentousness. When her group was asked what<br />

<strong>the</strong>y remembered most <strong>about</strong> meeting <strong>the</strong> survivor<br />

– apart from <strong>the</strong>ir actual story – Natalie (Year 12,<br />

LON2) replied, ‘The atmosphere in <strong>the</strong> room. We<br />

were utterly silent’. In ano<strong>the</strong>r school, Richard (Year<br />

9, YH1) reflected upon <strong>the</strong> enormous significance of<br />

<strong>the</strong> physical presence of <strong>the</strong> survivor:<br />

It’s just like, this guy’s in front of me. If he hadn’t<br />

made a decision when he was like eight or nine<br />

years old <strong>the</strong>n he could of died in one of <strong>the</strong> most<br />

horrific ways ever.<br />

In addition, <strong>students</strong> were able to reflect on how<br />

<strong>the</strong> survivors transcended fear <strong>and</strong> found strength<br />

<strong>and</strong> purpose through facing <strong>and</strong> escaping death:<br />

His look on life changed because of what he went<br />

through, so he was no longer scared of death<br />

because of what he had been through, he wasn’t<br />

scared any more of anything that would normally<br />

scare us because he knew what death was.<br />

(Timothy, Year 9, YH1)<br />

He had met it almost face to face <strong>and</strong> he seen it in<br />

front of his eyes, so <strong>the</strong> fact that he wasn’t scared<br />

of dying, he had seen death <strong>and</strong> wasn’t scared.<br />

(Andrew, Year 9, YH1)<br />

This sort of experience touches on <strong>the</strong> spiritual,<br />

moral, social <strong>and</strong> cultural (SMSC) dimension of<br />

young people’s learning. According to a recent Royal<br />

Society of <strong>the</strong> Arts study (Peterson et al. 2014), this<br />

area is commonly marginalised in schools <strong>and</strong> often<br />

lacks an underpinning rationale. With 2013 Ofsted<br />

guidelines raising <strong>the</strong> stakes regarding SMSC <strong>the</strong><br />

area should generate greater attention. A particular<br />

issue rests perhaps with <strong>the</strong> complex <strong>and</strong> enigmatic<br />

‘spiritual development’. Rowson (2013: 2) states:<br />

The capacious term ‘spirituality’ lacks clarity<br />

because it is not so much a unitary concept as a<br />

signpost for a range of touchstones: our search<br />

for meaning, our sense of <strong>the</strong> sacred, <strong>the</strong> value of<br />

compassion, <strong>the</strong> experience of transcendence,<br />

<strong>the</strong> hunger for transformation.<br />

From what <strong>the</strong>y said in <strong>the</strong> focus groups, it<br />

appears that encounters with people who lived<br />

through <strong>the</strong> <strong>Holocaust</strong> aroused a deep respect in<br />

<strong>students</strong> – a sense of <strong>know</strong>ing <strong>about</strong> a life beyond<br />

anything <strong>the</strong>y ordinarily experience – touching on <strong>the</strong><br />

transformative <strong>and</strong> existential <strong>and</strong> resonating with<br />

Rowson’s description.<br />

It is hard to conceive of any technology that will be<br />

able to replicate <strong>the</strong>se <strong>students</strong>’ profound encounters<br />

with an embodied, human presence. However, two<br />

organisations in <strong>the</strong> field of <strong>Holocaust</strong> education –

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