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Re:TheAshLad - Sandbooks

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og det nye klart det bør bli et stort. fundamentalt smell torden torden lyn<br />

og torden elektronisk utladning i. kontekster når vitenskapen allerede har<br />

hatt atombomben siden artauds tid. et. voldsomt teater uten tekst<br />

foranledning til butoh selvfølgelig tekst som. tekst og kode er potensielt<br />

som atomreaksjonene siden vi lever i en. tekstverden. alt er disse<br />

partiklene. sluttsetning poenget mitt var bare at når teateret. vil. være<br />

teater for å bli mektig levende etc hvor mye mer har da ikke teksten.<br />

potensial til å bli ikke bare som morsomme memer word virus eller<br />

litteratur. som på en måte er som dukketeater men at teksten som tekst<br />

kan berøre. virkeligheten (beklager uttrykket) jeg mener logos leke med<br />

ilden (beklager. uttrykket).. pepole. pepole are doing karate. want to be<br />

strong. strong will. strong what. he was into insurance. or whatever.<br />

strong whatever. his granparence are ded. karate'd have helped.<br />

deathbombers karatekid. strong like deadh. ill or elfes to prove. new<br />

media. no media school. all is media is tantamount to saying nothing is<br />

media. tao zen no tradition. no media. autonomedia. code and its double<br />

cont'd. code and its double cont'd. notes on text and code in relation to<br />

artaud's theater and sondheim's. codework. the double you'd have the<br />

release of text from text text is no longer text. text is text (not text)<br />

textual helix code like the theater is theater and. not scripted (not text)..<br />

power in the sense that text is logos it has that immense power being at<br />

the. locus. text as theater as code would have the potential of releasing<br />

all the. logos power like the theater's release from text.. matter since all<br />

is mattered texted coded you'd have all those monstruous. things going<br />

on ruptures and violence beauty and intelligence emerging from. its<br />

release.. code as theater artaud's theater's release from text is similar to<br />

the. theatrificating of text as code.. code and literature literature is in the<br />

gravitational field of text while. code is weightfree or antigravitating of<br />

the void towards the periphery.. universal code autonomy automata text<br />

logos code instruction data. physicality matter sense surface since all is<br />

mattered there is no. context. it's blown to pieces all you have is virii<br />

dispersal of meaning logos as. fire. and electrical charge in the<br />

networks of distributed contexts.. code as art codework artwork since<br />

everything is code codework is at the. center of artwork which is<br />

created by codework's plundering of contexts art. derives from the<br />

workings of code code derives from its doubling.. bombs and<br />

intelligence the atomic bomb from the time of artaud a violent. theater<br />

without text virii intelligence terror theathrical artifice of the. code the<br />

bomb is the blowing up of text logos the sun as bomb terror of. code<br />

information the intelligence as monster.. reality like artaud's theatricity<br />

156

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