Re:TheAshLad - Sandbooks

mater maskinen. Populasjon får betalt for mengdenpublishers.
autobiographies. They could be paid a small amount by the state.
Giving. them aof your own home... etcdadokumentarfilmfotografier (p.
). I. Traite beskrevet han mere systematisk detabelleroffentliggjøringer..
Det omfatter inventarer av fakta kataloger av ider og.. observation.
Display all headers. BjørnMagnhildøen. Mon. Organization.
smtpmr.mobil.telenor.no. observation. when you see something or any
sensing there's always some heuristics. going on so that in a split of a
second prior to recognizing this or. that you move through a lot of
patterns. you can timestretch this by. looking at something unfamiliar.
or look until it becomes unfamiliar. when the heuristics exhausts the
object and moves on. so in both ends. the construction and destruction
of patterns. the a priori patterns seem. like appearances while the a
posteriori a disappearance and might be. different maybe because
neural patterns have direction comes in one. way and leaves in another
leaves in one end and roots in another. the. difference between intuition
and fantasy fantasy in the destruction of. patterns reactionary fantasy
hollywood feasting on dead patterns. the livingdead and projected back
from the future as science fiction.. could we then say intuition concerns
future and fantasy the past in. the life of a perception future comes first
then the perception then. the past. is that different from reality my
future moves into my past.. but since i'm inside myself and the
perception comes from outside the. two are inverted. for the object the
now is constructed while the. future and past are given but for the
subject it's the other way. around. and these distinctions it only means
that we need distinctions. distinguish or the other way around which are
the same pair again.. the world is complex it's a shadow world. it
wouldn't be a surprise if. the most concrete is the least significant this
is also problematic. in the shadows. significant is shadow. are there two
shadows like. intuition and fantasy sun thing shadow how could we call
the sun a. shadow when is intuition fantasy looking at the sun will
destroy the. eyes so it has to be shadowed that would be like saying the
future has. be shadowed from the now. then fantasy comes in intuition
is fantasy. in the now. but if you want to give it a direction or a
perception as. directedness it stretches which is obvious again direction.
stretching and we get time and the distinctions.. would we say 'in the
beginning all was fantasy' or 'in the beginning. all was intuition' and in
the end all is fantasy. when perceptions.. and without what kind of
perception is it to imagine perceiving. something that doesn't contain a
perception or since this is the usual. thing rather the opposite perceiving
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