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Re:TheAshLad - Sandbooks

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independently of the limits of space and time of the. artists involved.<br />

Joy's work in fact combines the infrastructures of. the net with those of<br />

traditional art inviting anyone wanting to. take part to make their tracks<br />

available at a publicly accessible. internet address. Periodically he then<br />

organizes and exhibits them. via a real jukebox with thousands of files<br />

which are used in some. kind of public space such as a museum or caf.<br />

Furthermore the. opportunity for reciprocal interaction opens further<br />

chances of. processing carried out together with others introducing a<br />

new social. side into the production of sound. A musical artifact may<br />

indeed be. the result of something done by more people than those<br />

normally in a. band and so open up to an indefinite number of active<br />

participants. who make a significant contribution to the final product.<br />

This. concept is applied to particular advantage in 'Sound Injury' a.<br />

mailing list for electronic musicians which ends interaction between.<br />

members every month with a piece composed collectively. The list.<br />

follows a simple procedure a sound is distributed to all members who.<br />

modify it and then resubmit it to the other participants. The process.<br />

lasts thirty days with all the chaotic intermediate stages until the.<br />

definitive version.. A more playful sort of exchange recasts PeertoPeer<br />

networks as an. easy hiding place for suitably disguised data. In<br />

'Siren's Voice' by. the media company 'plinq' the user is invited to<br />

take part in the. plot of a story by locating its missing parts hidden in<br />

exchange. networks. The story is structured so that some parts are<br />

located in. networks and which can be recognized by working together<br />

which. enables the story to be completed. These search mechanisms<br />

have a. structure of data flows which only materialize in the minds of<br />

those. involved in the interaction. The antipodes of this approach is the.<br />

art of constructing software showing real images inside the.<br />

abstractions that are files and producing a sort of microscope. showing<br />

the normally invisible processes of the formation of blocks. of digital<br />

numbers. 'Minitasking' by German duo Schoenerwissen. follows this<br />

principle working on a particularly large data flow. generated by the<br />

Gnutella network. Coloured 'balls' as the artists. call them represent the<br />

content of the file in size and colour. bringing out their intrinsic<br />

instability by dynamically mapping the. data involved. MP is now a<br />

medium in itself as shown by a number of. media operations which can<br />

easily be defined as performances.. Currently on PeertoPeer networks<br />

intentionally wrong names and. makes the user realize the fallible<br />

nature of 'packages' of. nonmaterial goods.. This approach is<br />

sometimes taken by small labels in search of glory. such as Evolution<br />

30

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