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Re:TheAshLad - Sandbooks

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understanding but. maybe cryptic form also allowing the Kristeva<br />

operations on text to. take place maybe in the ghost emanations from<br />

the virtuality of the. sign and the reality of the code. From my view if<br />

would also be. interesting to know if the rhetorical staging into<br />

performance would. be similar to the idea of code as nothing and how<br />

the whole business. dissolves itself.. Interesting reading keep on by all<br />

means.. <strong>Re</strong> Codework Eco Aquinas (fwd). Sandy Baldwin Thanks for a<br />

very interesting read it blows my mind to. see that the things are still<br />

the same and humbly that my simple. exposition of Eco's sign as<br />

paradoxical based only from Al's short. cites actually is traceable back<br />

to Aquinas (maybe cascading from actus. purus and prima materia<br />

finally).. In addition your article proves to me that a careful logic<br />

intuition. sparse material also can be enough to get into the core of<br />

things. without the proper acacemical frameworks in support. But that's<br />

the joy. of philosophy.. I'm grateful for all the connecting references<br />

I'm commenting short. some from my understanding of Eco posted<br />

earlier which might seem. cryptic without the frameworks for<br />

clarification and confirmation. Bjorn. Charles Baldwin. The inarticulate<br />

cry which seemed to be the voice of light. Hermes. Trismegistus. (the<br />

conventional and virtual (of the chasm (like every convention is.<br />

exactly the chasm))). <strong>Re</strong>fering to the convention of Eco's sign to.<br />

Kristeva's chasm.. The attraction of Aquinas was precisely the answer<br />

to how formal. systems participate with the world an answer that deals<br />

with both the. grounds and the exteriority of sign systems. That is<br />

codework was. already the issue though under the guise of aesthetics<br />

rather than code. aesthetics in the older sense of sensation aisthesis and<br />

not. aesthetics in the sense of codified responses or artistic forms or.<br />

rather in the sense of the ground of these responsesforms. (I've.<br />

discussed this elsewhere in relation to code aesthetics.). Comment<br />

Which maybe boils down to time and space like in the. Kantian sense<br />

of aesthetics and which then links to the recent. discussion here<br />

temporalspatial stuff.. The working out of all this is the notion of<br />

manifestation a quasi. mystical translation between proportionalities<br />

enabling the whole. system. (I think here of the relation between code<br />

and AS's notion of. plasma.).. Comment The 'ether' of prerelativistic<br />

physics as the carrier. The. virtual underlying part needed to get the<br />

system going at all.. The paradox here (Panofsky gets this too but it's<br />

crucial to Eco's. semiotics) is the notion that manifestation will clarify<br />

faith clarify. the underlying participation in being but in doing so will<br />

finally. clarify faith (bring it to an end). This impossible need for.<br />

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