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Re:TheAshLad - Sandbooks

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is convention codesign is interpretation or as. Signs have automatic<br />

interpretations.. Codesigns have problematic conventions.. Codesigns<br />

are unconventional interpreted signs.. In my understanding of Eco and<br />

Kristeva. What Eco calls 'conventionally correlation' in the<br />

signification is the same. as 'codify' where the conventions are<br />

problematic interpretative it's still. the same signification process going<br />

on but of different complexity.. And an important thing the<br />

'conventional correlation' isn't this just the. signification process again<br />

in case Eco is actually defining the sign. recursively loopy which would<br />

fit in with Kristeva's notion and which was my. point to say in the<br />

earlier Eco response that the 'sign' is purely virtual. it never takes place<br />

the expression plane never meets the content plane the. 'conventional<br />

correlation' is a chasm or synapse or bridge and where all. the Kristeva<br />

shattering break in or is transmitted or runs under. Eco's sign. is never<br />

complete the problem is the 'conventional correlation' which is the.<br />

sign itself so it never ends. Codework and Kristeva's practice of text is.<br />

working in that loophole it's a vertical chasm and crisis in the more.<br />

horisontal networks of significations. In short then the sign is open and.<br />

codework is wryting it.. In relation to what I called code and its double<br />

the double would be the. vertical plane (chasm shadow code) to the<br />

horisontal plane (surface. figure double). Yes I inverted that on purpose<br />

in a way the double is the. residue which is the sign a mere product a<br />

doubling of the code which is. the shadow. The sign is virtual a<br />

doublenature of expression and content. which is never complete and<br />

the code is the stuff making up the chasm between. and also making the<br />

sign (code then is the virtuality of the sign) as all. signs are coded and<br />

can not be decoded or the sign would be like nothing.. In another view<br />

the sign is the double and the code is nothing the sign is. something<br />

while code is nothing which would be both's virtuality and. signifiance.<br />

In reality it is opposite sign is nothing and code is. everything which is<br />

their practice.. So maybe it turns out that 'code and its double' and<br />

'code as nothing' fit with. Kristeva's 'signifiance' and 'practice' of<br />

'text'. signifiance double. virtuality of code (code is doubled into sign)<br />

and practice nothing reality. of code (sign is 'doubled' into nothing<br />

reversed) maybe what Charles Baldwin. called the doubleness's<br />

double.. And what about the analogy of brain asymmetry in this It<br />

would simplify to the. left hemisphere doing significations and the right<br />

doing practice. The. sinisters are revolutionary in Kristeva's sense ) The<br />

signifiance of the. left's symbolmachine's unlimited and unbounded<br />

generating process through. language and the heterogeneous process of<br />

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