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Re:TheAshLad - Sandbooks

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From JxFran eRudi. Subject . ee k u n s t . Kulturspamming. From<br />

StxEle eStenslie. Subject . ee k u n s t . sts. From Klas eCantsin.<br />

Subject . ee k u n s t . hvem er jeg. From Kristin eBergaust. Subject . ee<br />

k u n s t . Fwd FOOT project. From Marius eWatz. Subject . ee k u n s t<br />

. <strong>Re</strong>tro KNYT. From Anne Lise eWullum. Subject . ee k u n s t . <strong>Re</strong><br />

<strong>Re</strong>tro KNYT. Disse kommer fra en annen spammer. From Per ePlatou.<br />

Subject . ee k u n s t .. From Jill Walker. Subject . ee k u n s t . .. From<br />

Kevin eFoust. Subject . ee k u n s t . . . .. From Charlotte eEspeland.<br />

Subject . ee k u n s t . . (o) (o). From JxFran eRudi. Subject . ee k u n s t<br />

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de etterlignede selv forfalsket en post for xE. etterligne sin egen<br />

etterligning. From Klas eeCantsin. Subject . ee k u n s t . <strong>Re</strong> <strong>Re</strong> <strong>Re</strong> <strong>Re</strong><br />

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distribuert via. ee k u n s t. listeadresse eeekunst.no. kontaktadresse<br />

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med xErlighet og litt forklaring. Hvis ikke dette skjer kan. Torgeir<br />

eFjeld. Isn't the impact of the artistic object dependent on a<br />

correspondence. between the habitus of the producer and consumer of<br />

the object. Short answer No. I've just been teaching a course on<br />

romantic literature. and agreed it is difficult to get one's head around<br />

the idea that the. artist is gone when the artwork is perceived.. we were<br />

reading frankenstein. and one of the central points with this work is the<br />

repulsion the artist. (victor frankenstein) senses in confrontation with an<br />

actualized meaning. of. his own piece of art. i wonder if mary shelley<br />

might have thought in. analogous terms to parenting when the child is<br />

behaving in defiance of. the script it is tempting to act on a desire to<br />

remove the prodigy. but. after all the creature is no longer<br />

frankenstein's. it's meaning is. opened. and not necessarily privileged<br />

521

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