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Re:TheAshLad - Sandbooks

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worth a tryjust. find out.hm yes let's do that also some books entirely<br />

virtual not in. stock very obscure maybe like borges' imaginary books.<br />

keep this in mind as. other kinds of net.books.....i uploaded a lot of new<br />

chapters to the. noemata. Thursday January. email header art. email<br />

header artnavn bruker domene tld navnbegrep referanse (en ting kan ha.<br />

flere navn)axiomsto from cc fortid framtid cc kausalitet fratil (rules.<br />

transitions)subject this play propositionbody discussion.<br />

interpretationhead body codestructure face appearance cause. noemata.<br />

<strong>Re</strong> codework (KristevaEco). long reply I just got back from aconf. with<br />

messages I have to deal with. not spam. But if you look atKristeva's<br />

<strong>Re</strong>volution in Poetic Language you'll see. a lengthy treatment<br />

ofMaldoror especially the unabridged Fr. version and a. great deal of<br />

thisis a combination of psychoanalytics and semiotics which she. You'd<br />

have to look at the book it's hardly reductionist. Same with. Greimas<br />

etc. Alan I have read it and I find Eco and all such semiotic. models of<br />

language reductionist. Where does a text like Lautreamont's. Maldoror<br />

fit into Eco's scheme Where do the texts of the insane Language is. not<br />

only aboutsignals (Eco's signfunctions) and their corresponding.<br />

behavioral responses.There is a form of dark matter in language that<br />

never. gets touched upon by semiotics. It is where signals get crossed<br />

elided. broken down and too often dismissed in semiotics as gibberish<br />

or noise.. Eco's approach isgood for analyzing highclass linear<br />

detective novels like. the ones he writes but it falls apart on texts that<br />

don't make the rage of. interpretationtheir goal. Like all models of the<br />

world semiotics fits some. things well and other things badly and the<br />

things it fits badly happen t<br />

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