Re:TheAshLad - Sandbooks

escaping laterally). The only truly dramatic point is this unexpected.
turningaround of the other who insists upon knowing and damns the.
consequences.. This reversal does in fact occur in the Venice scenario.
The man comes. towards her and asks her 'What do you want' She
wants nothing. No mystery. story no love story. This answer is
intolerable and implies possible murder. possible death. Radical
otherness always embodies the risk of death. S.'s. anxiety revolves
entirely around this violent revelation the possibility of. getting herself
unmasked the very thing she is trying to avoid.. S. could have met this
man seen him spoken to him. But in that case she. would never have
produced this secret form of the existence of the Other. The. Other is
the one whose destiny one becomes not by making his aquintance in.
difference and dialogue but by entering into him as into something
secret. something forever separate. Not by engaging in a conversation
with him as his. shadow as his double as his image by embracing the
Other the better to wipe. out his tracks the better to strip him of his
shadow. The Other is never the. one with whom we Communicate he is
the one who we follow and who follows us.. The other is never
naturally the other the other must be rendered other be. being seduced
by being made alien to himself even by being destroyed if. there is no
alternative (but in fact there are subtler ways of achieving this. end)..
eeeeeeeeeeeeeeeeeeeeeee. eeeeeeee. eeeeeeeeeeeeeeeee.
eeeeeeeeeeeeeee. ). ) () Seduction knows that the other is never the end
of. desire that the subject is mistaken when he focuses on what he loves
just as. an utterance is mistaken when it focuses on what it says.
Secrecy here is. always. the secrecy of artifice. The necessity of always
focusing somewhere else of. never seeking the other in the terrifying
illusion of dialogue but instead. following the other like the other's own
shadow and circumscribing him. Never. being oneself but never being
alienated either coming from without to. inscribe oneself upon the
figure of the Other within that strange form from. elsewhere that secret
form which orders not only chains of events but also. existences in their
singularity.. w...d. w....d ...dw... wdwd w..d wdwd .w.d. .w..... w....d.
..w ..' ..'GdwP.. .dw.' ..'G.d .... ..PG.. ..'GP ..'. .oooG' ..oooo ...... .dw.'
.. ..ooo.. .... .do. ... .d. .. ...... .. ..ooo .... .... G.d. ... ..w ... ...... .. .... ....
.dw.' wd.w ... G...P' G....P GPGPGP GP G..P GPGP G.P' ....G' GP.
Patagonia. Phantasy of disappearance. The disappearance fo the Indians
your. own disappearance that of all culture all landscape in the
bleakness of your. mists and ice... The last word here is that is is better
to put an end to a. process of creeping disappearance (ours) by means
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