Re:TheAshLad - Sandbooks

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er interessant det overlapper med kunst selvfølgeligsom kan. fungere som en immunitet for aksjonisme (Tore F vet mer om dette inbiller. jeg meg ) uansett kunsten ikke som en beskytteet sfære i virkeligheten. men som en simulering av den avdekkende kodene for den som er poenget. at simulering avslører koder bedre enn virkeligheten selv (som bare er. kjøringen av koden).. i den forbindelse har lenge hatt ideen om en open source crime aktivitet. som kan virke paradoksal men som kan forstås som en simulering av. kriminalitet og vil det gjøre den mer lovlig fx. som kunst. men nå er jo nettopp kunst det mest ufarliggjørende av alt virker det som... en simulering som ikke har NOEN effekter utenom den lille eliten som hygger. seg med den. hvis kunsten kan kobles opp mot det potensielt virkningsfulle. i å dekonstruerereverseresimulere kode ville den hatt et helt annet liv. utenom institusjonen i interaksjon med levende koder i samfunnet.. kode er et stikkord for alt dette synes jeg kode er overalt. og jeg tenker. det samme kode er samtidig ingenting avdekkende at virkeligheten bare er. kode meningsløs i seg selv. så kode har denne dobbeltheten av å være alt og. ingenting. hvis du kan simulere noe så har du bevist det konstruerte ved. tingen. og dermed har du løsrevet det fra en fundamental tolkning som ligger til grunn. for politisk samfunnmessig kulturell makt.. simulasjon kodeverk kodearbeid står selvfølgelig i fare for ikke å bli. tatt alvorlig det er bare en simulasjon bare en lek tror det er mot denne. grensen den hele tiden vil støte men akkurat det ligger forøvrig i. kodebegrepet. selv simuleringen er samtidig uten fundament.. det medfører kanskje at skille mellom alvor og tull undergraves kodeverket vet. ikke selv om det er alvor eller tull det er begge deler selvfølgelig det er. det som er kode.. uansett det er interessant. ). gjelder Baudrillard sitat om å iscenesette virkeligheten. angår folk som er interessert i aksjoner og situasjonisme. Of the same order as the impossibility of rediscovering an absolute level. of the real is the impossibility of staging an illusion. Illusion is no. longer possible because the real is no longer possible. It is the whole. political problem of the parody of hypersimulation or offensive. simulation which is posed here.. For example it would be interesting to see whether the repressive. apparatus would not react more violently to a simulated hold up than to a. real one For a real hold up only upsets the order of things the right. of property whereas a simulated hold up interferes with the very. principle of reality. Transgression and violence are less serious for. they only contest the distribution of the real. Simulation is infinitely. more dangerous since it always suggests over and above its object that. law and order themselves might really be nothing more than 83
a simulation.. Jean Baudrillard Simulacra and Simulations. Culturejammers mailing list. Culturejammerslists.copyleft.no. Culturejammers mailing list. Culturejammerslists.copyleft.no. Daidalonics. Daidalonics. . Miniature pt (WIP). solipsis. . blunders. noemata. . Re blunders. solipsis. . Re Miniature pt (WIP). noemata. . Rehu solipsis. . arc.hive the MAZPIQ language. noemata. . Re the MAZPIQ language. noemata. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. noemata. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. solipsis. . Re the MAZPIQ language. Alan Sondheim. . Re the MAZPIQ language. solipsis. . daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. solipsis. . Re daidalonicsmazpiq. noemata. . Re daidalonicsmazpiq. Lanny Quarles. . Re daidalonicsmazpiq. noemata. . as Isis with code's Materhorn. Lanny Quarles. . Re daidalonicsmazpiq. solipsis. . Re as Isis with code's Materhorn. noemata. . Re as Isis with code's Materhorn. solipsis. blunders. theres reports least here in gno. probably anywhere while people. laundring more in antisepticomodernicomfy times things are dirtier. than ever bacteria stains so all this washing is whitewashing. coverups of the still dirtier what you could expect all things being. composites compost compote why ever be clean when you can be wash. all the time. WwV vWwV vWVw vWVw vWwV vWVw vWwV. vWwV vWVw vWVw vWwV vWVw vVwW vVwW vVwW vVwW. vVwW vVwW vVWw vVWw vVWw vVWw vVWw vVWw vVwW. vVwW vVWw vVWw vVwW vVWw vVwW vVwW vVWw vVWw. vVwW vVWw vwWV vwWV vwVW vwVW vwWV vwVW vWwV. vWwV vWVw vWVw vWwV vWVw vVwW vVwW vVWw vVWw. vVwW vvVwW .vVWw .vVWw .vVwW .vVWw. .vwWV .vwVW .vWwV .vWVw .vVwW. .vVWw .vwWV .vwWV .vwVW .vwVW. .vwWV .vwVW .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vVwW .vVwW. .vVWw .vVWw .vVwW .vVWw .vwWV. .vwVW .vWwV .vWVw .vVwW .vVWw. .vwWV .vwWV .vwWV .vwWV .vwWV. .vwWV .vwVW .vwVW .vwVW .vwVW. .vwVW .vwVW .vwWV .vwWV .vwVW. .vwVW .vwWV .vwVW .vwWV .vwWV. .vwVW .vwVW .vwWV .vwVW .vWwV. .vWwV .vWwV .vWwV .vWwV .vWwV. .vWVw .vWVw .vWVw .vWVw .vWVw. .vWVw .vWwV .vWwV .vWVw .vWVw. .vWwV .vWVw .vWwV .vWwV .vWVw. .vWVw .vWwV .vWVw .vVwW .vVwW. .vVwW .vVwW .vVwW .vVwW .vVWw. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc.. Wc. Wc. Wc.. Wc. Wc.. Wc. Wc. cW.. cW. cW.. '''. cW. cW. cW.. cW. cW.. .vWVw .vVwW. .vVWw .vwWV .vwWV .vwWV .vwWV. 84
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JOHANN MORGENBILD Re:TheAshLad Volu
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Johann Morgenbild Re:TheAshLad Volu
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