Re:TheAshLad - Sandbooks

leave no trace cast no shadow and. fascination of the erasure rewrite
full compression code cipher our images. are like icons miraculous they
allow us to go on believing in art while. eluding the question of its
existence.iconicity dragon body laburint beyond. the indifference art as
uglierthan.ugly bad worse raised to the second power. because it is
liberated of its relation with its opposite bemyghost. transaesthetic
blasts tourism people who no longer undertake voyages but. simply go
round and round in circles tracerouteping travel agency These. forms
are excesses andcollapses of code viral fascinating indiscriminate. and
reinforced by viral media our culture also produces the most
murderous. viruses. catastrophe culture. we all enjoy these things.
nothing code. stagingsoperational whitewash overexposed defenceless
without any way of. refracting light info doomed in consequence to a
whitewash of all activity. codedecode IO labora trashmaps maze digital
techniquerelinquish identity to. survive endnodes net
computeroperations not actions regulated machinery. nothing takes
placebetter to produce nothing in order to have things produced. artists
better to have nothing to say if one seeks to communicate socials. as
everyone knows if you want to make people laugh it is better not to be.
funny powers in order for content to be conveyed as well and quickly
as. possible that content should come as close as possible to
transparency and. insignificance empty intimategood communication
implies the annihilation of. its own content. avoideverythinghtp
noematanet abouthtml So. it's a kind of artificial art much like the
intelligenceof artificial. intelligence )The policy is to support
collaboration community transparency. immediacy in the arts net.art
media art correspondencemail art network. art context art or other
otherness and marginal artifactualizations.We tried. that and it didn't
work. So this is 'open content' of a morecatastrophic kind. of the
dispersal of content or the metastasis ordisappearance of content (in. the
jargon of Baudrillard). Also beingcontented with things not working
and. actually more fascinated by thefailures and drifting of things than
producing. them as art or anythingopen being more like cracked open
or a core dump of. codegerm artspermand their entanglements and
confusion of layers inoutside. opencontent generativedegenerative
avataratavar of space time and. structures intermingling and
proliferating more or less on their own by their. own automatic
recursive mating. This 'release' of the server is not only as. permission
or publication but a giving up kind of release. Giving upletting it. drift
distribute or disperse unsupervised and giving up that risking complete.
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