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part iii | cultural and spiritual development<br />
‘the Bodhisattva <strong>of</strong> Dunhuang’. He travelled to Chang’an and Luoyang alternating<br />
trips with periods at home. Dharmaraksha is said to have possessed remarkable<br />
knowledge and a phenomenal memory and also knew 36 languages. He is credited<br />
with translating more than 150 Buddhist texts into Chinese and founding a monastery<br />
in the suburbs <strong>of</strong> Chang’an, where several thousand monks were trained. His most<br />
outstanding quality is said to have been his understanding <strong>of</strong> ‘the idea <strong>of</strong> the end <strong>of</strong><br />
the cycle <strong>of</strong> rebirth – nirvana’. He died at the age <strong>of</strong> 77.<br />
Thus, all the facts referred to above testify to the prominent role <strong>of</strong> Buddhist<br />
monks from Central <strong>Asia</strong> in spreading Buddhism in China in the first half <strong>of</strong> the 1st<br />
millennium ad, in translating Buddhist works into Chinese, establishing Buddhist<br />
schools and acquainting the Chinese with the Buddhist faith.<br />
Let us now turn to an important feature <strong>of</strong> early Buddhist structures that shed<br />
light on the nature <strong>of</strong> Buddhist beliefs in Central <strong>Asia</strong>.<br />
Airtam is one <strong>of</strong> the earliest and main centres <strong>of</strong> Buddhism in Northern Bactria<br />
but no images <strong>of</strong> bodhisattvas were found among the sculptures discovered here.<br />
The sculpted images <strong>of</strong> the Airtam frieze show musicians <strong>of</strong> the ‘pancha mahashabta’<br />
– the five sacred sounds. According to P. Bernard, the sculptural block found at this<br />
site with a six-line Bactrian inscription shows the Hindu god Shiva and his consort,<br />
Parvati. According to J. Harmatta, they are in fact Pharro and Ardoxsho. The Buddha<br />
or bodhisattvas are not mentioned in the inscription itself. There are no images <strong>of</strong><br />
bodhisattvas among the paintings and sculptures discovered at Karatepa either. Nor<br />
are they mentioned in the numerous Brahmi and Kharoshthi inscriptions found there.<br />
There are also no images <strong>of</strong> bodhisattvas in the paintings <strong>of</strong> Fayaztepa or among the<br />
sculptures found here.<br />
There are no images <strong>of</strong> bodhisattvas even among a large number <strong>of</strong> secular and<br />
religious figures found in the first Buddhist temple at Dalverzintepa built outside the<br />
city. By contrast, during excavations <strong>of</strong> the second Buddhist temple, located in the<br />
centre <strong>of</strong> Dalverzintepa, a number <strong>of</strong> sculptural images <strong>of</strong> bodhisattvas were found.<br />
I believe that such clear-cut differences show us that Buddhist centres such as<br />
Airtam, Karatepa, Fayaztepa and the first Buddhist temple <strong>of</strong> Dalverzintepa were<br />
created in a pre-Kanishka period where the Hinayana tradition was dominant and<br />
bodhisattvas were not worshipped.<br />
It is significant that the depiction <strong>of</strong> bodhisattvas in comparatively large numbers<br />
appears only in the second Buddhist temple at Dalverzintepa, the construction <strong>of</strong><br />
which has been dated by archaeological findings to the 2nd–3rd centuries AD.<br />
The following observations are also significant. In a painting found at Fayaztepa,<br />
a cursive Bactrian inscription behind the head <strong>of</strong> one <strong>of</strong> the male figures gives the<br />
name <strong>of</strong> one <strong>of</strong> the main deities from the Kushan pantheon – Pharro – the deity <strong>of</strong><br />
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