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Lands of Asia layouts (Eng) 26.11.21

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part iii | cultural and spiritual development<br />

‘the Bodhisattva <strong>of</strong> Dunhuang’. He travelled to Chang’an and Luoyang alternating<br />

trips with periods at home. Dharmaraksha is said to have possessed remarkable<br />

knowledge and a phenomenal memory and also knew 36 languages. He is credited<br />

with translating more than 150 Buddhist texts into Chinese and founding a monastery<br />

in the suburbs <strong>of</strong> Chang’an, where several thousand monks were trained. His most<br />

outstanding quality is said to have been his understanding <strong>of</strong> ‘the idea <strong>of</strong> the end <strong>of</strong><br />

the cycle <strong>of</strong> rebirth – nirvana’. He died at the age <strong>of</strong> 77.<br />

Thus, all the facts referred to above testify to the prominent role <strong>of</strong> Buddhist<br />

monks from Central <strong>Asia</strong> in spreading Buddhism in China in the first half <strong>of</strong> the 1st<br />

millennium ad, in translating Buddhist works into Chinese, establishing Buddhist<br />

schools and acquainting the Chinese with the Buddhist faith.<br />

Let us now turn to an important feature <strong>of</strong> early Buddhist structures that shed<br />

light on the nature <strong>of</strong> Buddhist beliefs in Central <strong>Asia</strong>.<br />

Airtam is one <strong>of</strong> the earliest and main centres <strong>of</strong> Buddhism in Northern Bactria<br />

but no images <strong>of</strong> bodhisattvas were found among the sculptures discovered here.<br />

The sculpted images <strong>of</strong> the Airtam frieze show musicians <strong>of</strong> the ‘pancha mahashabta’<br />

– the five sacred sounds. According to P. Bernard, the sculptural block found at this<br />

site with a six-line Bactrian inscription shows the Hindu god Shiva and his consort,<br />

Parvati. According to J. Harmatta, they are in fact Pharro and Ardoxsho. The Buddha<br />

or bodhisattvas are not mentioned in the inscription itself. There are no images <strong>of</strong><br />

bodhisattvas among the paintings and sculptures discovered at Karatepa either. Nor<br />

are they mentioned in the numerous Brahmi and Kharoshthi inscriptions found there.<br />

There are also no images <strong>of</strong> bodhisattvas in the paintings <strong>of</strong> Fayaztepa or among the<br />

sculptures found here.<br />

There are no images <strong>of</strong> bodhisattvas even among a large number <strong>of</strong> secular and<br />

religious figures found in the first Buddhist temple at Dalverzintepa built outside the<br />

city. By contrast, during excavations <strong>of</strong> the second Buddhist temple, located in the<br />

centre <strong>of</strong> Dalverzintepa, a number <strong>of</strong> sculptural images <strong>of</strong> bodhisattvas were found.<br />

I believe that such clear-cut differences show us that Buddhist centres such as<br />

Airtam, Karatepa, Fayaztepa and the first Buddhist temple <strong>of</strong> Dalverzintepa were<br />

created in a pre-Kanishka period where the Hinayana tradition was dominant and<br />

bodhisattvas were not worshipped.<br />

It is significant that the depiction <strong>of</strong> bodhisattvas in comparatively large numbers<br />

appears only in the second Buddhist temple at Dalverzintepa, the construction <strong>of</strong><br />

which has been dated by archaeological findings to the 2nd–3rd centuries AD.<br />

The following observations are also significant. In a painting found at Fayaztepa,<br />

a cursive Bactrian inscription behind the head <strong>of</strong> one <strong>of</strong> the male figures gives the<br />

name <strong>of</strong> one <strong>of</strong> the main deities from the Kushan pantheon – Pharro – the deity <strong>of</strong><br />

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