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4 .3<br />
used. Depictions <strong>of</strong> it crowning particular objects, especially pins, from as early as<br />
the Bronze Age have been found in Central <strong>Asia</strong> at sites such as Sapallitepa, dating<br />
from the middle or second half <strong>of</strong> the 2nd millennium BC.<br />
Along with amulets made <strong>of</strong> blue Egyptian paste, individual, relatively large<br />
representations <strong>of</strong> these hands, made <strong>of</strong> well-fired clay and marble, have been found<br />
in Central <strong>Asia</strong>. They have also been found crowning particular objects made <strong>of</strong> bone,<br />
in the form <strong>of</strong> a staff with a sharp end, referred to by some scholars as styli – a kind <strong>of</strong><br />
‘pen’ for writing.<br />
The ritual significance <strong>of</strong> such symbols was various. They were amulets protecting<br />
against evil forces, symbols <strong>of</strong> power and strength, and <strong>of</strong> healing and fertility. For many<br />
peoples <strong>of</strong> the Caucasus, especially the Tushins and Khevsurs, the severed hand <strong>of</strong> an<br />
enemy was a trophy <strong>of</strong> honour, and it would have been nailed above the entrance to a<br />
house. In Ancient Egypt and Mesopotamia, these symbols originally represented the<br />
‘heavenly hand’, and were associated with sun worship; this symbolism then penetrated<br />
into Christianity where it has a prominent role, for example the Hand <strong>of</strong> Fatima.<br />
The hand symbol was also a representation <strong>of</strong> Sabazios – the Thracian god <strong>of</strong><br />
fertility, whose cult first came to Phrygia from <strong>Asia</strong> Minor and then spread throughout<br />
the Roman Empire from Spain to the ancient cities north <strong>of</strong> the Black Sea. Many<br />
such symbols made <strong>of</strong> bronze have been found here and have been interpreted as<br />
votive <strong>of</strong>ferings to the god Sabazios. It is also possible it was Roman legionaries who<br />
brought the cult <strong>of</strong> this deity to Central <strong>Asia</strong>, where it merged with other cults <strong>of</strong><br />
fertility, nature, and the Sun, which had similar significance.<br />
An object <strong>of</strong> particular interest is a cast bronze hairpin (12.6 x 0.4 cm) from the<br />
Kavatkal oasis <strong>of</strong> Khorezm (1st–2nd centuries AD) topped with a hand holding a<br />
ball between the thumb and index finger, and a snake on the wrist in relief.<br />
This image is similar to the top <strong>of</strong> a Roman banner from the 2nd century AD,<br />
found in the Dnieper River area. This consists <strong>of</strong> a bronze hand 11.5 cm high, with<br />
the fingers pointing upwards and a similar ball between the index finger and thumb.<br />
Below the hand is dedicatory inscription – ‘The commander <strong>of</strong> the First Cohort <strong>of</strong><br />
the Spanish Legion dedicates this to Great Jupiter Dolichenus’.<br />
Jupiter Dolichenus was a supreme god <strong>of</strong> the Syrians. The similarity <strong>of</strong> these two<br />
objects suggests a similar religious association. However the Roman banner includes<br />
a dedication by an individual, i.e., a personal votive object to a god worshipped by<br />
an individual devotee. The Khorezmian hairpin is most likely related to the cult <strong>of</strong><br />
Sabazios. Several aspects <strong>of</strong> the pin attest to this: in addition to the symbol <strong>of</strong> the<br />
hand, the ball most likely symbolises the cone <strong>of</strong> a pine tree (the cone is an essential<br />
attribute <strong>of</strong> Sabazios); the snake is also <strong>of</strong>ten present in symbols associated with the<br />
cult <strong>of</strong> Sabazios.<br />
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