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Lands of Asia layouts (Eng) 26.11.21

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4 .8<br />

4.8<br />

ANCIENT KOREA<br />

AND ANCIENT<br />

CENTRAL ASIA<br />

The discovery in 1965 <strong>of</strong> wall paintings (<strong>of</strong> great significance to<br />

scholarship) in the palace at the site <strong>of</strong> Afrasiab made it possible to establish that<br />

historical and cultural ties had existed between ancient Korea (Goguryeo state) and<br />

Sogdia. In the paintings, featuring many different figures and depicting embassies<br />

from many countries, L.I. Albaum, the first scholar to examine the murals, identified<br />

two <strong>of</strong> the figures as representatives from the ancient state <strong>of</strong> Goguryeo (Korea). They<br />

are portrayed wearing a distinctive headdress decorated with a plume <strong>of</strong> two feathers.<br />

An inscription <strong>of</strong> several lines on the robe <strong>of</strong> one <strong>of</strong> the figures was deciphered by V.A.<br />

Livshits, and suggests that the various figures on the wall paintings are ambassadors<br />

to the Sogdian Ikhshid Varkhuman, who, according to O.I. Smirnova, ruled in the<br />

period AD 650 or 655 until 696 at the latest. Several scholars, including B.I. Marshak,<br />

A.M. Belenitsky, A.M. Mode, Jan Bogin and S. Antonini among others, subsequently<br />

gave further interpretations <strong>of</strong> the paintings. A young Japanese scholar, E. Kageyama<br />

pointed out that very similar images <strong>of</strong> Korean ambassadors can be found in twelve<br />

paintings in the Mogao cave temples in Dunhuang, which along with other paintings,<br />

are the narrative illustrations <strong>of</strong> the Vimalakirti-nirdesa sutra. A similar image<br />

<strong>of</strong> a Korean ambassador reproduced on the walls <strong>of</strong> Prince Zhangnai’s tomb led<br />

Kageyama to believe that all these representations follow a typical style <strong>of</strong> painting<br />

in the Chinese capital. For this reason, Kageyama suggested that the depictions <strong>of</strong><br />

the Korean ambassadors in the paintings at Afrasiab are not evidence <strong>of</strong> a visit by<br />

them to Samarkand in the second half <strong>of</strong> the 7th century AD, but instead reflect a<br />

style <strong>of</strong> Chinese art. It should be noted, to her credit, that Kageyama has proposed<br />

this hypothesis with due caution (‘if this argument is right’) as there is no evidence<br />

to refute the claim that these paintings do indeed depict the actual presence <strong>of</strong><br />

Korean ambassadors in Samarkand where, as I have suggested, they came with other<br />

ambassadors for the coronation <strong>of</strong> the Ikhshid Varkhuman. In this light, I would like<br />

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