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DRS2012 Bangkok Proceedings Vol 4 - Design Research Society

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1864 Conference <strong>Proceedings</strong><br />

Figure 11. Indonesia HIV Information Centre<br />

Diana THAMRIN<br />

Final <strong>Design</strong> by experimental composition of curves and zigzags representing the reckless and<br />

vulnerable young generation (<strong>Design</strong>ed by Seferina Dwi).<br />

Figure 12. Indonesian Film Information Centre<br />

Final <strong>Design</strong> by experimental abstraction of film rolls to signify cultural dynamics of Indonesian Film<br />

(<strong>Design</strong>ed by Stephanie Liunardie).<br />

Figure 13. Medicine Information Centre<br />

Final <strong>Design</strong> by experimental overlapping of geometric and organic forms and elements to represent the<br />

richness of medicinal contents (<strong>Design</strong>ed by Yuliana Dwi).<br />

As mentioned earlier, the freedom to experiment on form also gives rise to new<br />

insights on how materials could be applied by drawing relations to the physical properties<br />

of practical materials used to actual building materials in terms of their character (flexible,<br />

rigid, hard, soft, durable, etc) as well as their appearance (textured patterns, glossy, doff,<br />

opaque, transparent, translucent, etc). As a result, the design products of the holistic<br />

mind-mapping approach by using experiments do not only reveal creativity in producing<br />

new forms and design elements as what was expected but also innovative applications of<br />

materials which contribute to the interior composition and atmosphere rather than just

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