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John Stuart Mill: A Criticism with Personal Recollections

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176 RHETORICAL ARTS. 1849-1872.<br />

&quot;<br />

&quot;<br />

which and<br />

&quot; who &quot;. He never entered into the distinction<br />

&quot;<br />

&quot;<br />

of meaning between those two, and that as a relative. Like<br />

many other writers, he used &quot;that&quot; only as a relief after too<br />

&quot;<br />

whiches &quot;. Here is an : example<br />

&quot;<br />

Inasmuch as any,<br />

many<br />

even unintentional, deviation from truth, does that much<br />

towards weakening the trustworthiness of human assertion,<br />

which is not only the principal support of all present social<br />

well-being, but the insufficiency of which does more than any<br />

thing that can be named to keep back civilisation, virtue,<br />

everything on which human happiness on the largest scale de<br />

familiarity <strong>with</strong> French is apt to produce an<br />

&quot;. pends Early<br />

insensibility to the clogging effect of a great number of<br />

&quot;<br />

whiches,&quot; and a consequent inattention to the many easy de<br />

vices for keeping clear of the excess.<br />

In the use of the pronoun<br />

&quot;<br />

usually taken by good writers of the present day, to avoid un<br />

certainty and ambiguity of reference.<br />

His father s weakness for<br />

&quot;<br />

the<br />

it,&quot; he did not display the care<br />

&quot;<br />

I know not form is occa<br />

sionally seen in him also.<br />

Instances of looseness not falling under any special type are<br />

frequent enough. The following might possibly have been cor<br />

rected, if he had lived to superintend the printing of the work<br />

where it occurs :<br />

&quot; The patience of all the founders of the<br />

Society was at last exhausted, except me and Roebuck &quot;.<br />

Of arts of the rhetorical kind in the structure of his sentences,<br />

he was by no means wanting. He could be short and pithy,<br />

which goes a great way. He had likewise caught up, probably<br />

in a good measure from the French writers, his peculiar epi<br />

grammatic smartness, which he practised also in conversation.<br />

He would often express himself thus :<br />

&quot;<br />

It is one thing to tell<br />

the rich that they ought to take care of the poor, and another<br />

thing to tell the poor that the rich ought to take care of them &quot;.<br />

&quot; A historian, he says, must possess gifts of imagination and<br />

;<br />

what is rarer still, he must forbear to abuse them &quot;.<br />

&quot; With<br />

the genius for producing a great historical romance, he must

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