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John Stuart Mill: A Criticism with Personal Recollections

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RECORDED CONVERSATIONS. 191<br />

we were entering St. James s Square, that Carlyle was de<br />

nouncing our religion and all its accessories. <strong>Mill</strong> struck in<br />

<strong>with</strong> the remark<br />

&quot;<br />

Now, you are just the very man to tell the<br />

public your whole mind upon that subject &quot;.<br />

This<br />

was net<br />

exactly what Carlyle fancied. He gave, <strong>with</strong> his peculiar<br />

grunt, the exclamation<br />

&quot;<br />

Ho,&quot; and added,<br />

&quot;<br />

it is some one<br />

like Frederick the Great that should do that &quot;.<br />

The recently published &quot;Journals of Caroline Fox&quot; gives<br />

some very interesting pictures of <strong>Mill</strong> s conversations and ways,<br />

as he appeared between 1840 and 1846. His opinions about<br />

things in general in those years, so far as shown to the Falmouth<br />

circle, are very fairly set forth. The thing wanting to<br />

do full justice to his conversation is to present it in dialogue, so<br />

as to show how he could give and take <strong>with</strong> his fellow-talkers.<br />

A well-reported colloquy between him and Sterling would be<br />

very much to the purpose. He appears to great advantage in<br />

the way that he accommodated himself to the kind Foxes, on<br />

the occasion of staying at Falmouth during Henry s last illness.<br />

The letter to Barclay Fox, which I have referred to above<br />

(p. 61), is given at length. A remark of Sterling s is quoted,<br />

which corroborates what I have already said as to <strong>Mill</strong> s want<br />

of concreteness :<br />

&quot;<br />

<strong>Mill</strong> has singularly little sense of the con<br />

crete, and, though possessing deep feeling, has little poetry &quot;.<br />

He had, it seems to rne, the sense and the feeling, but not the<br />

power of expression, or of concrete embodiment in language<br />

which is the distinctive mark of the poetic genius. He was<br />

born to read, and not to write, poetry.<br />

A few lines on <strong>Mill</strong> s influence, past, present, and future,<br />

will bring our sketch to a close. Not that the topic has been<br />

left hitherto untouched; but that an express<br />

serve to bring up a few novel illustrations.<br />

reference will<br />

It is not for the opportunity of contradicting former opinions<br />

respecting him, but because the polemic and criticism of others<br />

are often more suggestive than mere exposition, that I quote

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