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2003-2004 - The University of Scranton

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132 Arts and Sciences/English<br />

plays and the specific selections may vary with the<br />

individual instructor. This course may be counted<br />

toward the <strong>The</strong>atre major, minor or track.<br />

ENLT 123 3 cr.<br />

Masterworks <strong>of</strong> Western Civilization<br />

Study <strong>of</strong> masterpieces <strong>of</strong> literature from the<br />

Hebrew Old Testament and classic Greek to the<br />

modern European, illuminating the development<br />

<strong>of</strong> Western civilization.<br />

ENLT 125 3 cr.<br />

(CL) Classic American Stories<br />

This course will examine representative examples<br />

<strong>of</strong> the American short story from the 19th century<br />

to the present. Emphasis will be placed on<br />

the significance <strong>of</strong> individual works, but some<br />

consideration will be given to the evolving<br />

American milieu. Readings will include<br />

Hawthorne, Poe, Crane, Malamud, and Oates.<br />

ENLT 126 3 cr.<br />

(CL,D) Introduction to Irish Culture<br />

An exploration <strong>of</strong> Irish culture by means <strong>of</strong> the<br />

island’s major works <strong>of</strong> mythology, history, religion,<br />

folk story, fairy tale, song, verse, drama<br />

and fiction. All readings in English.<br />

ENLT 127 3 cr.<br />

(CL) Myth <strong>of</strong> the Hero<br />

Mythic materials are examined to discover the<br />

underlying heroic archetypal patterns. <strong>The</strong>n<br />

modern literature is examined in the light <strong>of</strong> the<br />

same mythic patterns.<br />

ENLT 140 3 cr.<br />

(CL) English Inquiry<br />

An exploration <strong>of</strong> fiction, poetry, and drama.<br />

<strong>The</strong> approach is inductive; the aims are a greater<br />

understanding <strong>of</strong> literature, and an introduction<br />

to techniques <strong>of</strong> literary scholarship, theory, and<br />

research.<br />

<strong>The</strong> prerequisite for all 200-level ENLT<br />

courses is ENLT 140 or the equivalent. Students<br />

must complete the <strong>University</strong>’s Written Communication<br />

requirement before they can register for<br />

any Writing Intensive literature course.<br />

ENLT 210 3 cr.<br />

(CL) Modern Poetry<br />

Some previous study <strong>of</strong> poetry expected. Modern<br />

poets ranging from Frost and Stevens to Bishop<br />

and Larkin are examined. Major emphasis is<br />

placed on close readings <strong>of</strong> representative works<br />

and historical and cultural contextualization.<br />

ENLT 211 3 cr.<br />

(CL) Dramatic Comedy<br />

Principles, modes, tactics used in dramatic comedy.<br />

<strong>The</strong> plays <strong>of</strong> writers ranging from Shakespeare<br />

to Neil Simon, as well as several films, will<br />

be analyzed as models. Opportunity for student<br />

writing <strong>of</strong> comedy. This course may be counted<br />

toward the <strong>The</strong>atre major, minor or track.<br />

ENLT 212 3 cr.<br />

(CL,W) Masters <strong>of</strong> Darkness<br />

This course will survey a significant sampling <strong>of</strong><br />

the short works <strong>of</strong> three <strong>of</strong> America’s most<br />

famous “dark Romantic” writers: Melville,<br />

Hawthorne, and Poe. Consideration will be<br />

given to the historical milieu and the authors’<br />

responses to the problems and promises <strong>of</strong> the<br />

American experience.<br />

ENLT 213 3 cr.<br />

(CL,W) Satire<br />

An exploration <strong>of</strong> the historical, critical, and<br />

conceptual nature <strong>of</strong> satire, including established<br />

satirical conventions and techniques. Representative<br />

examples in fiction, drama, poetry, and other<br />

media, with emphasis on British literature <strong>of</strong> the<br />

Restoration and 18th century, the Age <strong>of</strong> Satire.<br />

ENLT 214 3 cr.<br />

Macabre Masterpieces<br />

A survey <strong>of</strong> English and American horror fiction<br />

which focuses on this mode <strong>of</strong> writing as a serious<br />

artistic exploration <strong>of</strong> the human mind, particularly<br />

abnormal psychology. Readings will<br />

include works by Mary Shelley, Edgar Allan Poe,<br />

Robert Louis Stevenson, Joseph Conrad, and<br />

Bram Stoker.<br />

ENLT 215 3 cr.<br />

(CL)Literature <strong>of</strong> the Absurd<br />

Focusing on literature from 1850 to the present,<br />

this course will examine fiction, drama, and<br />

poetry that reflect a general sense <strong>of</strong> disintegrating<br />

values and lost religious beliefs. Readings will<br />

include works by Poe, Byron, Hardy, Stevenson,<br />

Conrad, Williams, Hemingway, and Beckett.<br />

ENLT 220 3 cr.<br />

(CL) Shakespeare<br />

An introduction to the works <strong>of</strong> William Shakespeare,<br />

including forays into each <strong>of</strong> the major<br />

dramatic genres (comedy, tragedy, history, and<br />

romance). Consideration will be given to the<br />

biographical and cultural contexts <strong>of</strong> individual<br />

works. This course may be counted toward the<br />

<strong>The</strong>atre major, minor or track.

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