2003-2004 - The University of Scranton
2003-2004 - The University of Scranton
2003-2004 - The University of Scranton
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132 Arts and Sciences/English<br />
plays and the specific selections may vary with the<br />
individual instructor. This course may be counted<br />
toward the <strong>The</strong>atre major, minor or track.<br />
ENLT 123 3 cr.<br />
Masterworks <strong>of</strong> Western Civilization<br />
Study <strong>of</strong> masterpieces <strong>of</strong> literature from the<br />
Hebrew Old Testament and classic Greek to the<br />
modern European, illuminating the development<br />
<strong>of</strong> Western civilization.<br />
ENLT 125 3 cr.<br />
(CL) Classic American Stories<br />
This course will examine representative examples<br />
<strong>of</strong> the American short story from the 19th century<br />
to the present. Emphasis will be placed on<br />
the significance <strong>of</strong> individual works, but some<br />
consideration will be given to the evolving<br />
American milieu. Readings will include<br />
Hawthorne, Poe, Crane, Malamud, and Oates.<br />
ENLT 126 3 cr.<br />
(CL,D) Introduction to Irish Culture<br />
An exploration <strong>of</strong> Irish culture by means <strong>of</strong> the<br />
island’s major works <strong>of</strong> mythology, history, religion,<br />
folk story, fairy tale, song, verse, drama<br />
and fiction. All readings in English.<br />
ENLT 127 3 cr.<br />
(CL) Myth <strong>of</strong> the Hero<br />
Mythic materials are examined to discover the<br />
underlying heroic archetypal patterns. <strong>The</strong>n<br />
modern literature is examined in the light <strong>of</strong> the<br />
same mythic patterns.<br />
ENLT 140 3 cr.<br />
(CL) English Inquiry<br />
An exploration <strong>of</strong> fiction, poetry, and drama.<br />
<strong>The</strong> approach is inductive; the aims are a greater<br />
understanding <strong>of</strong> literature, and an introduction<br />
to techniques <strong>of</strong> literary scholarship, theory, and<br />
research.<br />
<strong>The</strong> prerequisite for all 200-level ENLT<br />
courses is ENLT 140 or the equivalent. Students<br />
must complete the <strong>University</strong>’s Written Communication<br />
requirement before they can register for<br />
any Writing Intensive literature course.<br />
ENLT 210 3 cr.<br />
(CL) Modern Poetry<br />
Some previous study <strong>of</strong> poetry expected. Modern<br />
poets ranging from Frost and Stevens to Bishop<br />
and Larkin are examined. Major emphasis is<br />
placed on close readings <strong>of</strong> representative works<br />
and historical and cultural contextualization.<br />
ENLT 211 3 cr.<br />
(CL) Dramatic Comedy<br />
Principles, modes, tactics used in dramatic comedy.<br />
<strong>The</strong> plays <strong>of</strong> writers ranging from Shakespeare<br />
to Neil Simon, as well as several films, will<br />
be analyzed as models. Opportunity for student<br />
writing <strong>of</strong> comedy. This course may be counted<br />
toward the <strong>The</strong>atre major, minor or track.<br />
ENLT 212 3 cr.<br />
(CL,W) Masters <strong>of</strong> Darkness<br />
This course will survey a significant sampling <strong>of</strong><br />
the short works <strong>of</strong> three <strong>of</strong> America’s most<br />
famous “dark Romantic” writers: Melville,<br />
Hawthorne, and Poe. Consideration will be<br />
given to the historical milieu and the authors’<br />
responses to the problems and promises <strong>of</strong> the<br />
American experience.<br />
ENLT 213 3 cr.<br />
(CL,W) Satire<br />
An exploration <strong>of</strong> the historical, critical, and<br />
conceptual nature <strong>of</strong> satire, including established<br />
satirical conventions and techniques. Representative<br />
examples in fiction, drama, poetry, and other<br />
media, with emphasis on British literature <strong>of</strong> the<br />
Restoration and 18th century, the Age <strong>of</strong> Satire.<br />
ENLT 214 3 cr.<br />
Macabre Masterpieces<br />
A survey <strong>of</strong> English and American horror fiction<br />
which focuses on this mode <strong>of</strong> writing as a serious<br />
artistic exploration <strong>of</strong> the human mind, particularly<br />
abnormal psychology. Readings will<br />
include works by Mary Shelley, Edgar Allan Poe,<br />
Robert Louis Stevenson, Joseph Conrad, and<br />
Bram Stoker.<br />
ENLT 215 3 cr.<br />
(CL)Literature <strong>of</strong> the Absurd<br />
Focusing on literature from 1850 to the present,<br />
this course will examine fiction, drama, and<br />
poetry that reflect a general sense <strong>of</strong> disintegrating<br />
values and lost religious beliefs. Readings will<br />
include works by Poe, Byron, Hardy, Stevenson,<br />
Conrad, Williams, Hemingway, and Beckett.<br />
ENLT 220 3 cr.<br />
(CL) Shakespeare<br />
An introduction to the works <strong>of</strong> William Shakespeare,<br />
including forays into each <strong>of</strong> the major<br />
dramatic genres (comedy, tragedy, history, and<br />
romance). Consideration will be given to the<br />
biographical and cultural contexts <strong>of</strong> individual<br />
works. This course may be counted toward the<br />
<strong>The</strong>atre major, minor or track.