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2003-2004 - The University of Scranton

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ENLT 343 3 cr.<br />

Milton and 17th-century Poetry<br />

Detailed study <strong>of</strong> the Metaphysical poets, the<br />

Cavalier poets, and the poetry <strong>of</strong> John Milton.<br />

This course seeks to provide a bridge between<br />

the Elizabethan Age and the Restoration and<br />

18th-century poets.<br />

ENLT 344 3 cr.<br />

Milton’s Paradise Lost<br />

Intensive study <strong>of</strong> Milton’s masterpiece. In addition<br />

to our reading and discussion <strong>of</strong> the text<br />

itself, we will examine its biographical and historical<br />

context and explore a variety <strong>of</strong> critical<br />

approaches to the poem.<br />

ENLT 345 3 cr.<br />

(CL,W) Restoration and 18th-century<br />

Drama<br />

(Area B, <strong>The</strong>ory Intensive) A survey <strong>of</strong> the major<br />

formal and thematic developments on the London<br />

stage between 1660 and 1776. Discussions<br />

will focus on the social, political and institutional<br />

changes that re-shaped theatrical productions<br />

during this period. This course may be counted<br />

toward the <strong>The</strong>atre major, minor or track.<br />

ENLT 346 3 cr.<br />

<strong>The</strong> English Novel: 18th and 19th Centuries<br />

<strong>The</strong> history <strong>of</strong> the English novel from its origins<br />

in the early 18th century until the end <strong>of</strong> the<br />

19th century. <strong>The</strong> course focuses on such major<br />

figures as Defoe, Richardson, Fielding, Austen,<br />

Dickens and Eliot.<br />

ENLT 347 3 cr.<br />

Victorian Voices<br />

This course will focus on three major Victorian<br />

authors: one non-fiction prose writer, one novelist,<br />

and one poet. Possible authors include Carlyle,<br />

Arnold, Ruskin, Dickens, Eliot, Bronte,<br />

Tennyson, Browning,<br />

ENLT 348 3 cr.<br />

(CL,D,W) Colonial and Postcolonial Fiction<br />

Through detailed study <strong>of</strong> such authors as<br />

Achebe, Conrad, Forster, Kincaid, Kipling,<br />

Naipaul, Orwell, and Rushdie, this course<br />

explores the myths and meanings <strong>of</strong> 19th- and<br />

20th-century European colonialism in Asia,<br />

Africa, and the Americas.<br />

ENLT 350 3 cr.<br />

Major Works: American Romantics<br />

(Area D) Cooper’s <strong>The</strong> Prairie, Emerson’s<br />

Nature, Thoreau’s Walden, Melville’s Moby Dick,<br />

and others. Evaluation <strong>of</strong> the works in their his-<br />

Arts and Sciences/English 135<br />

torical context and the development <strong>of</strong> the<br />

American Romantic movement, 1820-1865.<br />

ENLT 351 3 cr.<br />

Transcendentalists<br />

This course transcends the typical limits <strong>of</strong> this<br />

literary period to Emerson and Thoreau’s major<br />

works. Thus, Orestes Brownson, Margaret Fuller,<br />

Ellery Channing, <strong>The</strong>odore Parker are covered.<br />

ENLT 352 3 cr.<br />

(CL,W) <strong>The</strong> Development <strong>of</strong> the American<br />

Novel<br />

This course will focus on the ways in which the<br />

American novel has reflected our changing literary<br />

and cultural values from the late 18th to the<br />

20th century. <strong>The</strong> reading list will include works<br />

by Charles Brockden Brown, Nathaniel<br />

Hawthorne, Mark Twain, Kate Chopin, John<br />

Steinbeck, and Kurt Vonnegut, Jr.<br />

ENLT 353 3 cr.<br />

Major Works: American Realists<br />

(Area F) Twain’s Huckleberry Finn, Howell’s <strong>The</strong><br />

Rise <strong>of</strong> Silas Lapham, James’s <strong>The</strong> American,<br />

Crane’s <strong>The</strong> Red Badge <strong>of</strong> Courage, Dreiser’s Sister<br />

Carrie and others. Works are evaluated in their<br />

historical milieu and the development <strong>of</strong> American<br />

Realism, 1865-1900.<br />

ENLT 354 3 cr.<br />

Major Works <strong>of</strong> Twain and James<br />

Works to be studied include Twain’s Huckleberry<br />

Finn and A Connecticut Yankee in King Arthur’s<br />

Court, and James’s Portrait <strong>of</strong> a Lady and <strong>The</strong><br />

Ambassadors. <strong>The</strong>se works will be examined both in<br />

terms <strong>of</strong> their historical context and by way <strong>of</strong> a<br />

comparative analysis <strong>of</strong> the two authors.<br />

ENLT 355 3 cr.<br />

American Drama 1919-1939<br />

(Area F) A review <strong>of</strong> the first “golden age” <strong>of</strong><br />

American drama, which includes biting masterpieces<br />

such as <strong>The</strong> Hairy Ape, Awake and Sing,<br />

and comic works such as You Can’t Take It With<br />

You and <strong>The</strong> Time <strong>of</strong> Your Life. This course may<br />

be counted toward the <strong>The</strong>atre track or minor.<br />

ENLT 356 3 cr.<br />

Major Works <strong>of</strong> Hemingway and O’Hara<br />

Works to be studied include Hemingway's <strong>The</strong><br />

Sun Also Rises and For Whom the Bell Tolls, and<br />

O'Hara's Appointment in Samarra and From the<br />

Terrace. <strong>The</strong>se will be examined in terms <strong>of</strong> both<br />

their historical contexts and their basic themes as<br />

part <strong>of</strong> a comparative analysis <strong>of</strong> the two authors.

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