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2003-2004 - The University of Scranton

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PHIL 320 3 cr.<br />

(P) Aesthetics<br />

<strong>The</strong> main theories <strong>of</strong> the essential character <strong>of</strong><br />

beauty or art, how they are judged, how they are<br />

related to the mind and the whole person, how<br />

they are created and how this creativity expresses<br />

a commitment to oneself and to the world.<br />

PHIL 321 3 cr.<br />

Great Books<br />

Major thinkers in the Western philosophical,<br />

religious, political and literary traditions. This<br />

course emphasizes philosophical themes in<br />

literature.<br />

PHIL 325 3 cr.<br />

(P) Literature and Ethics<br />

This course examines the “old quarrel between<br />

philosophy and literature,” the dispute between<br />

Plato and Ancient Athenian poets regarding the<br />

best and truest source <strong>of</strong> moral knowledge, and<br />

examines the impact <strong>of</strong> this quarrel on contemporary<br />

moral theory and practice.<br />

PHIL 326 3 cr.<br />

(P,D) Advanced Topics in Feminist Philosophy<br />

(Prerequisite: PHIL 218, other women’s studies<br />

courses, or permission <strong>of</strong> instructor.) This course<br />

will explore a special topic in feminist philosophy.<br />

Course may be repeated as topics vary. Possible<br />

topics might include: feminist aesthetics,<br />

issues <strong>of</strong> equality, theories <strong>of</strong> the body. This<br />

course is cross-listed with Women’s Studies.<br />

PHIL 327 3 cr.<br />

Readings in the Later Plato<br />

A survey and contextualization <strong>of</strong> the dialogues<br />

usually said to be “Later” in Plato’s intellectual<br />

development will precede a textually based<br />

examination <strong>of</strong> those dialogues in which Plato’s<br />

dialectic turns on the “concept” <strong>of</strong> difference.<br />

Thaetetus, Sophist, and Parmenides will be<br />

emphasized.<br />

PHIL 328 3 cr.<br />

(P) Philosophy <strong>of</strong> Literature<br />

This course examines the nature <strong>of</strong> literature,<br />

and its relation to philosophy and political life.<br />

Students will study both classical texts on literature<br />

and contemporary Anglo-American examinations<br />

and appropriations <strong>of</strong> them, as well as<br />

recent European literary theory.<br />

PHIL 331 3 cr.<br />

(P) Feminist Philosophy <strong>of</strong> Science<br />

A feminist critique <strong>of</strong> both the alleged value-free<br />

character <strong>of</strong> modern science and the positivist<br />

philosophy <strong>of</strong> science supporting this view. <strong>The</strong><br />

Arts and Sciences/Philosophy 175<br />

course thus focuses on feminist arguments for the<br />

contextual, i.e., social, political and economic,<br />

nature <strong>of</strong> science and the resulting need to<br />

rethink such key concepts as objectivity, evidence<br />

and truth in light <strong>of</strong> androcentrism and gender<br />

bias. Consideration is also given to critical<br />

responses from feminist and nonfeminist defenders<br />

<strong>of</strong> more traditional accounts <strong>of</strong> science.<br />

PHIL 340 3 cr.<br />

(P,D) Philosophy and Judaism<br />

A study <strong>of</strong> several Jewish thinkers who lived and<br />

wrote in the context <strong>of</strong> two “endings”: the end<br />

<strong>of</strong> European Jewery in the Holocaust and the<br />

end <strong>of</strong> the Jewish Diaspora through the creation<br />

<strong>of</strong> Israel.<br />

PHIL 410 3 cr.<br />

(P) Philosophy <strong>of</strong> Culture<br />

Examines the meaning <strong>of</strong> the term “culture.”<br />

Explores the notions <strong>of</strong> civilization and barbarism,<br />

common principles in cultural development,<br />

and the interaction <strong>of</strong> such cultural forces<br />

as myth, magic, language, art, religion, science,<br />

and technology. Special attention will be given to<br />

the question <strong>of</strong> “progress” and “regress” in culture.<br />

PHIL 411 3 cr.<br />

(P) Thomas Aquinas: Philosophy and<br />

Controversy<br />

PHIL 411 is a contextual study <strong>of</strong> Thomas<br />

Aquinas’ philosophy, a great thinker in the 13th<br />

century. Selections from his metaphysics, ethics,<br />

and anthropology will be examined. His dispute<br />

with the Averroists on the status <strong>of</strong> the intellect,<br />

the condemnation <strong>of</strong> some propositions <strong>of</strong> his in<br />

1277, and his later canonization in 1325 will<br />

also be discussed.<br />

PHIL 412 3 cr.<br />

(P,D) Art and Metaphysics<br />

<strong>The</strong> course utilizes the work <strong>of</strong> Martin Heidegger<br />

as well as several contemporary American novels<br />

to explore the philosophical problem <strong>of</strong> nihilism<br />

as it manifests itself today in the relationship<br />

between modern technology and art. Special<br />

attention is given to modern architecture.<br />

PHIL 414 3 cr.<br />

(P,D,W) Philosophy <strong>of</strong> Emmanuel Levinas<br />

This course is a study <strong>of</strong> the 20th-century Jewish<br />

philosopher Emmanuel Levinas. We will focus<br />

on Levinas’ theory <strong>of</strong> ethical experience, an<br />

account that takes its categories from both Greek<br />

and Hebrew sources, thereby enriching the dialogue<br />

between Jewish and Christian traditions in<br />

philosophy.

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