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Geographical Indication (GI) options for Ethiopian Coffee and Ghanaian Cocoa

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Innovation & Intellectual Property<br />

sum than money spent on physical or online music goods. Confirming this trend,<br />

concerts <strong>and</strong> live per<strong>for</strong>mances were identified as the best medium of reward <strong>for</strong><br />

musicians’ work, with 59% of consumers sampled stating that they believe music<br />

creation is a real job that should be rewarded monetarily, <strong>and</strong> of that 59%, 76%<br />

saying that such work should be rewarded monetarily via paid attendance at concerts<br />

<strong>and</strong> per<strong>for</strong>mances (see Figures 8.4 <strong>and</strong> 8.5).<br />

Do you consider musical production to be<br />

work that should be rewarded monetarily?<br />

Yes, should be<br />

rewarded<br />

58.67%<br />

Should be rewarded <strong>and</strong><br />

have another job<br />

37.67%<br />

No, should have<br />

another job<br />

3.67%<br />

0%<br />

10% 20%<br />

30% 40% 50% 60% 70%<br />

Figure 8.4: Monetary reward <strong>for</strong> production?<br />

For consumers who considered musical production<br />

work that should be rewarded monetarily, how do you<br />

think artists should be rewarded <strong>for</strong> their work?<br />

Concerts/live per<strong>for</strong>mance<br />

76.06%<br />

CD/cassette sales (copyrights)<br />

Sponsorship<br />

Revenue-sharing (YouTube model)<br />

Pay-per-song (iTunes model)<br />

Bundling<br />

Subscription fees (digital commons)<br />

Other<br />

Facebook application<br />

18.59%<br />

4.23%<br />

0.28%<br />

0.28%<br />

0.28%<br />

0%<br />

0%<br />

0%<br />

0%<br />

10% 20% 30% 40% 50% 60% 70% 80%<br />

Figure 8.5: Method of monetary reward<br />

186

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