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Reflections on Open Scholarship Modalities <strong>and</strong> the Copyright Environment<br />

publishing, online OA publishing <strong>and</strong> online OA self-archiving (Houghton,<br />

2010). Open scholarship <strong>and</strong> OA approaches alter the traditional relationships<br />

among the author, the publisher, the in<strong>for</strong>mation manager or librarian <strong>and</strong> the<br />

knowledge consumer. OA approaches throw into confusion the main doctrine<br />

that has traditionally animated these relationships: copyright. There is now varied<br />

opinion as to whether copyright law promotes or undermines the momentum<br />

towards open scholarship.<br />

The production of scholarly literature is at a sub-optimal level in Kenya.<br />

It seems likely that Kenya’s dearth of scholarly publishing in some disciplines is<br />

due, to some extent, to limitations in author development <strong>and</strong> book authorship,<br />

<strong>and</strong> limitations in publishing <strong>and</strong> distribution (both off-line <strong>and</strong> online). It also<br />

seems likely, as this chapter argues, that the emerging open-scholarship publishing<br />

paradigm has yet to pick up momentum in Kenya partly because of the country’s<br />

sub-optimal copyright environment.<br />

Research problem<br />

The emerging concepts of OA, open scholarship <strong>and</strong> alternative scholarly publishing<br />

pose challenges not just to authors, publishers, in<strong>for</strong>mation managers <strong>and</strong><br />

users, but also to policy-makers <strong>and</strong> related stakeholders. There are important<br />

questions regarding how authors <strong>and</strong> publishers are to benefit economically in<br />

an open scholarship context. And what role must copyright policy-makers <strong>and</strong><br />

technocrats <strong>and</strong> administrators play? The design of copyright <strong>and</strong> related rights<br />

systems has traditionally been based on balancing two main theoretical perspectives:<br />

(1) that copyright protection acts as an incentive to promote innovation <strong>and</strong><br />

creativity; <strong>and</strong> (2) that over-strong copyright protection will be an impediment<br />

to free <strong>and</strong> open exchange of educational <strong>and</strong> entertainment materials, culture<br />

<strong>and</strong> knowledge, thereby stifling creativity <strong>and</strong> development (Sihanya, 2013b). The<br />

concepts of OA, open scholarship <strong>and</strong> alternative scholarly publishing serve to<br />

intensify the tensions between these two perspectives.<br />

I sought, through the research study outlined in this chapter, to take some<br />

initial steps towards underst<strong>and</strong>ing the dynamics at the intersection of open<br />

scholarship <strong>and</strong> copyright law, policy <strong>and</strong> practice in Kenya. The study sought to<br />

underst<strong>and</strong> how the emergence of open scholarship may be affecting relationships<br />

among the stakeholders in the scholarly publishing process. The study also<br />

sought to probe the extent to which Kenya’s copyright environment, in doctrinal<br />

<strong>and</strong>/or practical terms, might benefit from review so as to better facilitate<br />

open scholarship. (See Chapter 8 in this volume <strong>for</strong> another discussion of<br />

copyright dynamics, in this case in relation to the output of Egypt’s independent<br />

musicians.)<br />

205

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