Geographical Indication (GI) options for Ethiopian Coffee and Ghanaian Cocoa

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From De Facto Commons to Digital Commons? Appendix 8.3: List of alternative art outlets in Cairo, as at May 2012 1) Cairo Opera House El Borg Gezira, 11567, Cairo – Tel 0227390132 2) Darb 1718 3) El Sawy (Culture Wheel) 4) Makan 5) Townhouse Gallery 6) Rawabet Theatre 7) El Gueinena Theatre / Beit El Harawi Kast El Sham3 Street Al Fakhareen, Old Cairo, Cairo – Tel 0223610511 End of 26th of July Street, Zamalek, Cairo- Tel 02 27368881, 2736 6178 – Email: info@culturewheel. com – Co-founder: Abdel Moneim El Sawy 1, Saad Zaghloul St, El Dawaween, Cairo – Tel 27920878, Dr Ahmad El Maghraby, Admin Secretary Dina Mohamed Said Hussein El Me’amar Pasha St, off Mahmoud Basyouni St, Downtown Cairo – Tel 25768086 – Email: info@ thetownhousegallery.com – Director: William Wells 3 Hussien El Me’amar St, ext. of Mahmoud Bassiouny St, from Talaat Harb – Tel 01275070727 Al Azhar Park, Salah Salem Street, Cairo – Tel 202 25103868 – 25107338 – Email info@alazharpark.com 8) After Eight 6, Kasr El Nil St, Downtown, Cairo – Tel 0103398000 9) Bikya 10) Cairo Jazz Club 23, Dr Zaki Hassan St, off El Nasr Street, Nasr City, Cairo – Tel 224046688 – Email info@bikyabookcafe.com 197, 26 of July Street, Sphinx Square, Agouza, Cairo – Tel 02 33459939 – Care of Mariam 197
Innovation & Intellectual Property Appendix 8.4: Consumer survey sample diagnostics A problem encountered regarding the sample stratification was the gender balance. Although instructions were given to the research team in charge of the questionnaires, they were unable to respect a 50/50 gender balance due to the disproportionate number of men attending cultural events relative to women. The final gender distribution was 75/25 in favour of men, or 446 men and 154 women. Researchers reported, ex post, that the majority of women present at the venues were not particularly interested in music, and were simply there with their male partners/boyfriends or accompanying some friend/relative as a favour (encouraged by gender attendance policies which give preferential treatment [entry] to couples over young men). In terms of age, the sample was, on average, younger than an average random sample of the population, as expected of alternative cultural outlets. Seventy per cent of the sample was aged 24 or younger, and 90% of respondents were 29 or younger. No respondents older than 44 were interviewed. Unsurprisingly, the majority of the respondents in the sample were students (62%). The fact that approximately 30% of the rest were employed by the private sector or in the liberal professions (e.g. lawyers, doctors, engineers) suggested a significantly more affluent segment of the population relative to the Egyptian average. This interpretation is further supported by the educational attainments of the sample: 83.5% of respondents had either already obtained or were in the process of obtaining a university degree. For only 10% of the sample was high school the highest educational attainment, and only 2.3% had obtained a technical licence. To complete the picture, all but one respondent had access to the internet. For the greatest majority of internet users, the principal internet access point was at home (76.7%), while 15% accessed the internet primarily via mobile phone and 6% primarily at their workplaces. This high educational, class and connectivity profile was also mirrored in the linguistic abilities of the sample: only one third of respondents were Arabic-only speakers, whereas the majority (57%) spoke both Arabic and English, and 9% spoke Arabic and another language. One of the more telling characteristics of the sample – considering its relative wealth, connectivity and high educational achievements – was its rate of bank account ownership. Only 34% of respondents reported having a bank account, a figure not disproportionately higher than the average population. Further, only half of the bank account holders in the sample reported using online banking features, and only a third felt safe using credit instruments for online purchases (i.e. 5% of the total sample). These characteristics severely restrict the ability of the vast majority in the sample to make online purchases of artistic products, including legal music downloads. 198
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Innovation & Intellectual Property
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Contents Preface ..................
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Preface This book is among the key
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Preface mandated Train for Trade pr
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About the Contributors Dr Perihan A
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Chapter 2 Frameworks for Analysing
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Chapter 11 The State of Biofuel Inn
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Geographical Indication (GI) options for Ethiopian Coffee and Ghanaian Cocoa

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