Marija ratkoviÄ - Hrvatski filmski savez
Marija ratkoviÄ - Hrvatski filmski savez
Marija ratkoviÄ - Hrvatski filmski savez
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COMPETITION PROGRAMME<br />
2012, 7’20’’<br />
Režija › Directed by: Nina<br />
Čorak<br />
Na filmu sudjelovali › In cooperation<br />
with: Lara Beatta<br />
Ivanić, Pavle Kocanjer, Emilio<br />
Zinaja, Marko Pekić<br />
Voditelj › Group leader:<br />
Marko Pekić<br />
Kinoklub Karlovac,<br />
Karlovac, Hrvatska ›<br />
Croatia<br />
Sinopsis › Synopsis:<br />
Posljednje karlovačko kino<br />
Edison, zatvoreno je pred pet<br />
godina. Organizacijom proslave<br />
92. rođendana kina pokušalo se<br />
pokazati da Karlovčani doista<br />
žele i trebaju kino.<br />
› The last cinema in Karlovac<br />
- the Edison - closed down five<br />
years ago. Organizing the cinema’s<br />
92 nd birthday really demonstrated<br />
that the residents of<br />
Karlovac really want and truly<br />
need their cinema.<br />
Boško Picula<br />
Bez gorčine i optuživanja, mladi<br />
Karlovčani donose priču o svom<br />
gradu i njegovoj potrebi za kinom,<br />
koja se na suvisao i poticajan način<br />
pretvara u mali <strong>filmski</strong> apel.<br />
› Without bitterness and reproach,<br />
the young people form<br />
Karlovac tell the story about<br />
their town and its need for a cinema.<br />
Told coherently and encouragingly,<br />
it is an appeal in the<br />
form of a film.<br />
Diana Nenadić<br />
Premda je riječ o dokumentarcu<br />
u reportažnoj formi, priča o borbi<br />
Karlovčana za obnovu svojega<br />
posljednjeg kina odiše entuzijazmom<br />
i aktivizmom, odlikama<br />
koje se rijetko nalaze upravo<br />
tamo gdje bi ih trebalo biti najviše<br />
- u filmu mladih.<br />
› Even though this is a documentary<br />
in the form of a report,<br />
the story about the people of Karlovac<br />
and their struggle for the renovation<br />
of the last cinema reveals a<br />
spirit of activism and enthusiasm,<br />
qualities rarely found precisely<br />
where they should be present – in<br />
films made by young people.<br />
Jura Troje<br />
U hrpi lijepih kadrova u oči ubada<br />
Marko Pekić intervjuiran na<br />
lokaciji koja više izgleda pogodnom<br />
za mafijaške sačekuše nego<br />
za intervju. Ni u jednom trenu<br />
nije prikazano da on ustvari stoji<br />
na prostoru kina! Prekrasni<br />
snježni karlovački kadrovi, izazivaju<br />
romantiku i nostalgiju. Sviđa<br />
mi se to što film ne izaziva<br />
ljutnju i bijes i pitanje - a zašto je<br />
to tako? Autorica nam je uspjela<br />
dati jednu lijepu, nostalgičnu priču<br />
s nadom za bolje sutra. Bravo!<br />
› In a sea of beautiful shots,<br />
there stands out the one of<br />
Marko Pekić, interviewed at a<br />
place more befitting a mafia<br />
stakeout than an interview venue.<br />
The film doesn’t even mention<br />
that he is in fact standing inside<br />
the cinema! Beautiful shots<br />
of snow-covered Karlovac which<br />
create a romantic and nostalgic<br />
atmosphere... I like how, without<br />
anger and reproachfulness, the<br />
film raises the question - why is<br />
this so? The author manages to<br />
offer a beautiful, nostalgic story<br />
that exudes hope for a better future.<br />
Bravo!<br />
Po kinu se grad<br />
poznaje<br />
DOKUMENTARNI<br />
Say K for Kino, Say K for<br />
Karlovac<br />
75<br />
DOCUMENTARY<br />
animirani • animation
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