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Marija ratković - Hrvatski filmski savez

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COMPETITION PROGRAMME<br />

2012, 5’22’’<br />

Režija › Directed by: Grupa<br />

autora › Group of authors<br />

Na filmu sudjelovali › In cooperation<br />

with: Nikita Hilko,<br />

Melissa Verwey, Fredrikke<br />

Mikkelsen, Michael Maina,<br />

Sigurd Sandbakken, Andreas<br />

Myrstad<br />

Voditelj › Group leader:<br />

Gunnar Vikene<br />

Tvibit Youth Film Centre,<br />

Norveška › Norway<br />

Sinopsis › Synopsis:<br />

Ovo je film o ideji za film. Ali<br />

doslovno.<br />

› This is a film about an idea for<br />

a film. Literally.<br />

Boško Picula<br />

Ovdje ideje autora filma uistinu<br />

imaju i podrijetlo i realizaciju. I<br />

dok glavni lik muku muči sa svojom<br />

svakodnevicom i pomanjkanjem<br />

ideja, film ga prati odlično<br />

komponiranim kadrovima i<br />

njihovim montažnim slijedom.<br />

Kontrast idejnosti i bezidejnosti<br />

naglašava i odnos unutar središnjeg<br />

para te je završni rezultat<br />

film koji je sa svakim novim gledanjem<br />

sve bolji.<br />

› Here the ideas of the film’s<br />

author really have an origin and<br />

its realization. And while the<br />

main character is troubled by his<br />

daily life and absence of ideas,<br />

the film follows him with excellent<br />

sequencing and editing flow.<br />

The contrast between having an<br />

idea and lacking any ideas is further<br />

emphasized by the relationship<br />

within the central pair and<br />

the outcome is a film which gets<br />

better every time you watch it.<br />

Diana Nenadić<br />

Humorno-ironičan prikaz umjetnika<br />

u stvaralačkoj, a otuda i ljubavnoj<br />

krizi. Ironiju podupiru<br />

iskošeni rakursi, neobična mi-<br />

zanscenska rješenja, dobro apostrofirani<br />

detalji, kao i upute za<br />

samopoć što ih čita robotizirani<br />

glas u off-u, jer ih nijemi protagonist<br />

svojim ponašanjem zaobilazi<br />

ili jednostavno ignorira.<br />

› A humorous and ironic rendering<br />

of an artist caught in a<br />

creative, and consequently, romantic<br />

crisis. The irony is emphasized<br />

by angled frames, unusual<br />

mis-en-scene solutions and<br />

well-spotted details, as well as<br />

the self help instructions read<br />

by a robotic voice in off-screen,<br />

because the “silent” protagonist<br />

avoids them in his behaviour or<br />

simply “ignores” them.<br />

Jura Troje<br />

Potraga za idejama i težak život<br />

umjetnika... Jedan od onih scenarija<br />

koji je nastao iz očaja, ali<br />

krajnji rezultat je ovaj put ispao<br />

odličan! Uostalom, u krizama se<br />

uvijek pomiču granice.<br />

› A search for ideas and a hard<br />

life of an artist. One of the scripts<br />

made out of desperation, but the<br />

end result is amazing! Besides,<br />

times of crises always move<br />

boundaries...<br />

Porijeklo ideja<br />

Origin of Ideas<br />

IGRANI<br />

97<br />

animirani • animation<br />

FICTION

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