Marija ratkoviÄ - Hrvatski filmski savez
Marija ratkoviÄ - Hrvatski filmski savez
Marija ratkoviÄ - Hrvatski filmski savez
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COMPETITION PROGRAMME<br />
2012, 6’17’’<br />
Režija › Directed by:<br />
Domagoj Kudek<br />
Na filmu sudjelovali › In cooperation<br />
with: Marta Babić,<br />
Jurica Picak, Matea Rubinić,<br />
Karlo Pavlović, Viktorija Begić,<br />
Ivan Tucibat, Marko Hrsto<br />
Voditelj › Group leader:<br />
Miroslav Klarić<br />
FKVK Zaprešić, Zaprešić,<br />
Hrvatska › Croatia<br />
Sinopsis › Synopsis:<br />
Tko je taj čovjek koji se stalno<br />
pojavljuje u snimljenom materijalu<br />
za film? Što on želi? I kakve<br />
su mu namjere? Samo su neka<br />
od pitanja koja postavlja ovaj<br />
film.<br />
› Who is the man who keeps<br />
appearing in the footage for a<br />
film? What does he want? And<br />
what are his intentions? These<br />
are just some of the questions<br />
this film raises.<br />
Boško Picula<br />
Mnogobrojni će filmaši reći da je<br />
snimanje filma težak posao. Filmaši<br />
iz ove napete priče dodat<br />
će da je rad na filmu pravi užas.<br />
Više nego uspjeli spoj trilera i filma<br />
strave, rad mladih Zaprešićana<br />
od prvog do posljednjeg kadra<br />
otkriva njihov osjećaj za zaplet,<br />
ritam i stvaranje ugođaja. Ovdje<br />
slika uistinu govori više od stotinu<br />
riječi. Strašno dobro!<br />
› Many filmmakers would say<br />
that shooting a film is very hard.<br />
The filmmakers in this suspense<br />
story might add that shooting<br />
a film is actually horror-like. A<br />
very successful combination of<br />
thriller and horror movie, the<br />
work of young authors from<br />
Zaprešić, from beginning to<br />
end reveals their sense for plot,<br />
rhythm and creating suspense<br />
and atmosphere. Here, an image<br />
truly speaks louder than words.<br />
Horribly good!<br />
Diana Nenadić<br />
Odličan triler koji preispituje granice<br />
između stvarnosti i fikcije,<br />
kao i manipulativnu narav filma<br />
kao medija. Autor čvrsto vodi pri-<br />
ču i domišljato se koristi ekranima<br />
kako bi uspostavio zrcalnu relaciju<br />
između pojave prijetećeg lika u<br />
fiktivnom i stvarnom svijetu.<br />
› A great thriller examining<br />
the boundaries between reality<br />
and fiction, as well as the manipulative<br />
nature of film as a medium.<br />
The author leads the story<br />
firmly, skilfully using the screens<br />
to establish a mirror relationship<br />
between the appearance of the<br />
menacing character in the fictional<br />
and the “real” world.<br />
Jura Troje<br />
Dobar, napet horor. Vjerno prikazuje<br />
strahove i halucinacije<br />
izazvane dugim noćnim montažama.<br />
U početku čudan, s neozvučenim<br />
Kubrickovskim dijelovima<br />
(ovdje to ipak izgleda kao pogreška!),<br />
ustvari je fora. Baš jest.<br />
› An excellent horror film<br />
packed with suspense... It portrays<br />
realistically the fears and<br />
hallucinations caused by long<br />
nights of editing. Strange at first,<br />
using Kubrick’s shots without<br />
sound (here it seems like a mistake,<br />
though), it is actually cool.<br />
It really is.<br />
Čovjek iz filma<br />
The Man from the Film<br />
IGRANI<br />
81<br />
FICTION<br />
animirani • animation
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