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The Protected Landscape Approach - Centre for Mediterranean ...

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11. Cultural landscapes of the Andes: indigenous<br />

and colono culture, traditional knowledge and<br />

ethno-ecological heritage<br />

Fausto O. Sarmiento, Guillermo Rodríguez and Alejandro Argumedo<br />

Introduction<br />

Intrinsic to the definition of culture – and, in many places, cherished as gods or demi-gods –<br />

mountainous cultural landscapes have evolved in ways that produce a symbiotic relation<br />

between nature and culture (von Droste et al., 1995). In the Andes mountains, identity and<br />

ethnicity go hand-in-hand with mythical concepts of sacred hills, isolated volcanoes or specific<br />

snow-capped summits. <strong>The</strong> so-called Apus (or mountain deities), acting as stewards of the<br />

communities living under their protection, appear to have human-like characters. It has been<br />

said that Apus are superior beings that know the fate of the people leaving in nearby valleys.<br />

Andean landscapes, hence, are the result of intellectual and spiritual constructs that are<br />

shaped by the traditional practices and the newer uses given to them by the diverse cultures that<br />

inhabit them. As components of managing the broader cultural landscape, novel approaches <strong>for</strong><br />

the conservation of sacred sites offer insights into the importance of human influence as the<br />

driver of global change, as well as the importance of maintaining and promoting local culture,<br />

traditional knowledge and spiritual fulfilment in contemporary society (Forman, 1995). Using<br />

Andean land-use management practices as models allows us to generalize notions that unify<br />

nature and culture as an integrative whole within a protected landscape, as well as to link<br />

biodiversity and human intervention as driving <strong>for</strong>ces behind the nature-culture interactions<br />

that produced the identities of Andean mountain societies at large (Brown and Mitchell, 1999;<br />

Gade, 1999; Brown, Mitchell and Sarmiento, 2000).<br />

<strong>The</strong> three main Andean regions along the continent-long cordillera (Northern Andes,<br />

Central Andes and Southern Andes) differ according to their altitude, humidity and topo -<br />

graphic features, being tropical evergreen in the north, dry and less vegetated in the centre, and<br />

temperate deciduous in the south. A key ecological feature in the Andes is the existence of slope<br />

and fragile lands, nested in young volcanic chains reaching several thousand metres in height.<br />

Steep slopes are prone to erosion potential, which is exacerbated when <strong>for</strong>est cover is removed<br />

by de<strong>for</strong>estation.<br />

<strong>The</strong>se mountainous lands are occupied by traditional cultures that have developed unique<br />

strategies to solve their needs <strong>for</strong> resources and survival. One of us has argued that even the<br />

name “Andes” provides a direct clue to understanding the cultural nature of Andean landscapes<br />

(Sarmiento, 2002). <strong>The</strong> built terracing system impressed the first Europeans visiting the region,<br />

who described the echelon-like construction along the sides of the mountains with Castilian<br />

shorthand as andenes, from which the word Andes was popularized to describe the whole<br />

cordillera.<br />

In the Andes, culture and nature are interlocked in a closely knit fabric where the resulting<br />

mosaics of land uses have provided diversity and stability to the ecology of mountain<br />

147

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